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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Florida Priest Named Head Of USCCB Divine Worship Secretariat

Corpus Christi Watershed · December 15, 2013

From the USCCB website:

ATHER MICHAEL J. FLYNN, 57, a priest of the Diocese of Pensacola-Tallahassee, Florida, and associate professor of theology at Notre Dame Seminary in New Orleans, has been named executive director of the Secretariat for Divine Worship of the U.S. Conference of Catholic Bishops (USCCB).

He succeeds Msgr. Richard Hilgartner, who joined the USCCB in September 2007, and is returning to the Archdiocese of Baltimore in June 2014. Father Flynn’s appointment becomes effective June 30.

Father Flynn holds a licentiate in theology from The Catholic University of America; a master of divinity degree from Notre Dame Seminary, New Orleans; and a bachelor’s degree in music from Florida State University. He also completed an intensive German language immersion program at Goethe-Institut, Murnau, Bavaria, Germany. He was ordained a priest in 1994.

Father Flynn also has served on the faculty of St. Vincent de Paul Regional Seminary in Boynton Beach, Florida. In the Diocese of Pensacola-Tallahassee he was pastor at Resurrection Catholic Church in Miramar Beach, 2003-2007. He had previous assignments as parochial vicar in Pensacola and Tallahassee, where he also worked in campus ministry at Florida State University and the University of West Florida. He is a native of Birmingham, Alabama.

Msgr. Ronny Jenkins, USCCB general secretary, named Father Flynn to the position and thanked Bishop Gregory Parkes of Pensacola-Tallahassee for allowing Father Flynn to work at the USCCB. He also thanked Archbishop Gregory Aymond of New Orleans and Father James Wehner, president-rector of Notre Dame Seminary, for giving up a valued faculty member.

“The Divine Worship secretariat carries serious responsibility in assisting both the bishops’ conference and also ultimately the more than 17,000 parishes nationwide,” Msgr. Jenkins said. “The executive director of the office oversees liturgical celebrations of the bishops at national meetings, publication of liturgical books used in parishes all across the country, and statements addressed by the bishops on liturgical matters.”

Msgr. Jenkins thanked Msgr. Hilgartner for his competent service, especially in overseeing implementation of the recent translation of the Roman Missal. “Leading a nationwide educational and implementation effort on this sensitive, international matter called for skills in everything from negotiation across an ocean to instructional workshops nationwide. Msgr. Hilgartner accomplished the task with clarity, graciousness and humor,” he said.


Random Fact:   Pensacola-Tallahassee, FL, is the former diocese of Bishop René H. Gracida.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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President’s Corner

    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

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  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir

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