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Views from the Choir Loft

Chris Mueller’s Unique Voice in the Propers

Richard J. Clark · December 6, 2013

HRIS MUELLER is an astonishingly prolific composer, director and performer. His extraordinary musicianship comes to mind as a natural follow-up to my to my Challenge for the “Big Three” – Is there a Market for the Propers?

Heard on NPR, EWTN, and at the 2012 Sacred Music Colloquium, his Missa pro editione tertia, is perhaps already familiar to many of you.

From his own website:

Appointed in February, 2012 as the Director of Music for the Basilica of St. John the Evangelist in Stamford, CT, and following 12 1/2 years as the Director of Music for the Church of Notre Dame, Christopher Mueller (pronounced “miller”) conducts Gregorian chant and sacred Renaissance polyphony for the 12:00 p.m. Mass late on Sunday mornings. He has composed over 200 sacred choral works, the bulk of which were written for parish liturgies. Many, though not all of them, are settings of Gregorian chants – for instance, there is a nearly complete cycle of the Sunday Introits.

VERY UNIQUE COLLECTION is his quickly growing set of free-composed English Offertory propers. Many of them are available for purchase on his website and you can click on “Audio Samples” to hear some of them. I hope he publishes a collection of his works—most likely in several volumes!

In the past year, I have had the privilege of previewing a large number of his Offertories. While Mr. Mueller refers to them as “miniatures” they are only modest in length, but not in treatment. Each is unique and made fully alive in the text it serves. They are short enough to be accessible for many parish choirs, but reveal a depth of character that gives them lasting power. He has developed a voice all of his own, a voice that greatly serves the liturgy in beauty and in prayer.

One can spend a great deal of time on his website listening and learning. It is perhaps just a small testament of a lifetime of commitment to producing music that is sacred, beautiful and universal. His stamina and commitment are exactly what the Church needs. I don’t believe he will stop anytime soon!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Propers Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Remarkable Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), complaining that the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be sad about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Much more serious was the problem, what to do about ‘thou’ and ‘you.’ I confess I would have liked to go the whole hog, and dispense with the use of ‘thou’ and ‘thee’, even where the Almighty was being addressed. They do these things in France, but I felt sure you could not get it past the British public. Why not, then, have ‘thou’ for God and ‘you’ for man? That is Moffatt’s principle; but it seems to me to break down hopelessly in relation to our Incarnate Lord…”

— Monsignor Ronald A. Knox

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