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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Fear of the Lord

Dr. Peter Kwasniewski · November 7, 2013

225 Hieronymus Bosch “Last Judgment” (Hieronymus Bosch) S SAINT Thomas Aquinas explains in the Summa theologiae (II-II, qu. 19), the gift of the Holy Spirit that corresponds to the theological virtue of hope is fear of the Lord.

There are two basic types of fear: servile and filial. Servile fear is the slave’s fear of a master who will punish him for wrongdoing. Filial fear, also known as reverential fear, is the good child’s fear of dishonoring a loving parent. The Spirit’s gift to us is filial fear, as befits adopted “sons in the Son.”

At this point one would do well to recall the traditional Catholic understanding of punishment. The one who does wrong to another has wilfully violated or withheld the good owed to that other, and therefore deserves to be deprived, against his will, of some good of his own. Punishment goes against what one would want for oneself according to sensuality or the will of nature; accordingly, it is displeasing. Rightly so: he who chooses to cling to a good in a disordered way, deserves to have some good taken away from him without his choice, for the restoration of order. Hence, one could say that servile fear is fear of being displeased, of being punished by a judge, and is thus essentially selfish; whereas filial fear is fear of being displeasing, of doing wrong to a friend, and is thus essentially concerned with the beloved, the honor and love due to him.

In this way, the more we love God, the less we will fear in the manner of slaves cowering before a punitive Master, but the more intensely we will hold in reverential fear His great paternal goodness, which is worthy of all of our loving service—indeed, worthy of far more than we can render to Him even in the measureless span of eternity—and against which we rightly fear to sin.

For Saint Thomas (and the larger tradition he inherits), there are two vices opposed to hope: despair and presumption (cf. II-II, qq. 20–21). Despair is a vice in the direction of defectiveness: it is to abandon one’s hope of attaining the goal of heaven when one is, in fact, capable of attaining it with God’s help. Presumption, on the contrary, is a vice in the direction of excess: one has an inflated hope, laying claim to some reward beyond one’s actual merits. Instead of soaring to heaven by God’s help (which is the very basis of our hope), we think to do it on our own—and that is a sin against hope.

Note that the one who despairs has a false understanding of God, much like a slave could have a false picture of a good master: God’s mercy is forgotten, and God’s desire to save us grows distant from our minds. One who presumes, on the other hand, has a false understanding of himself: he thinks he has what it takes to reach perfection. He loses the reverential fear that tells him how utterly poor he is as a creature and how great is the Lord’s uncreated glory. So he forgets God’s primacy in saving him.

WHAT PRECEPTS OR COMMANDS of the Law are given in regard to hope and fear (cf. II-II, qu. 22)? Saint Thomas observes that Sacred Scripture is constantly urging us to place our hope in God by way of promises, warnings, and commands, because so much is at stake when it comes to where we place, or do not place, our hope—no less a good than our very salvation, which can only come from God. God so loves us that He commands us to place our hope in Him, knowing what is best for us and willing our happiness.

Confronted with such fatherly generosity, how could we not love Him in return and run to Him with trust, casting off the slave’s despair and the presumption of the self-made man, approaching Him with reverent fear to receive from His outstretched hands the crown of immortality?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Saint Thomas Aquinas Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“He would lecture early in the morning at St Edmund’s College, perhaps more than once, rush from thence to the British Museum, and toil there intensely for hours, all without a scrap of food, having pledged himself to dine with us.”

— A description of Father Adrian Fortescue

Recent Posts

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  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
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