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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gratefulness

Andrew R. Motyka · November 13, 2013

T’S PROBABLY A BIT EARLY to write a post about Thanksgiving, but by the time Thanksgiving actually comes around, I’m already in full Advent mode.

The other day, I was putting some clean dishes away in the cabinets of our apartment, and one of the doors wouldn’t close all the way. I quickly became frustrated that I had to slightly move the bowls over so that the door had clearance to close. How can anyone be expected to live under those conditions. Anyway, I caught myself almost immediately, thinking about how easily I get annoyed at little things, or even slightly larger things that are trivial in the larger picture. For example, I actually have a place to live and possess plates upon which to put my food.

The next time you get frustrated at your parish, whether it’s because of the praise n’ worship music you hate, or the fact that the cantor actually uses a hand gesture (GASP) to indicate when everyone is to sing, or when Father wears his stole on the outside of his chasuble (I swear, next time I’m wearing my underwear on the outside of my pants), or worst of all, when Andy creates spectacularly long run-on sentences that make you have to go back to the beginning of the paragraph to figure out what he was even talking about, try to put it in some perspective.

I’m not saying we shouldn’t aim for the best we have to offer. I’m saying that we shouldn’t adopt scorched-earth rants just because we had to use that David Haas song that one time.

The other day, I was frustrated about something or other at work, and I had to remind myself just how good I have it. I have a wonderfully talented choir, and they are quite good sports about trying the challenging literature I have thrown at them (and excelled at it). I have a parish that appreciates good liturgy and music, and participate in the singing with no arm-twisting, and don’t complain about the choir singing now and then.

Most of all, what we music directors should all be grateful for is the opportunity to serve God through our musical contributions to the liturgy. I always say that, since my vocation is and always will be to be a husband and father, I would clean filth up if it meant putting food on the table. That I get to do what I love and get paid for it is a blessing indeed.

It’s okay to strive for perfection, and always seek something better. Just keep some perspective and be patient with improvement in your life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.”

— Pope Saint Paul VI (14 Oct 1968)

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