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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gratefulness

Andrew R. Motyka · November 13, 2013

T’S PROBABLY A BIT EARLY to write a post about Thanksgiving, but by the time Thanksgiving actually comes around, I’m already in full Advent mode.

The other day, I was putting some clean dishes away in the cabinets of our apartment, and one of the doors wouldn’t close all the way. I quickly became frustrated that I had to slightly move the bowls over so that the door had clearance to close. How can anyone be expected to live under those conditions. Anyway, I caught myself almost immediately, thinking about how easily I get annoyed at little things, or even slightly larger things that are trivial in the larger picture. For example, I actually have a place to live and possess plates upon which to put my food.

The next time you get frustrated at your parish, whether it’s because of the praise n’ worship music you hate, or the fact that the cantor actually uses a hand gesture (GASP) to indicate when everyone is to sing, or when Father wears his stole on the outside of his chasuble (I swear, next time I’m wearing my underwear on the outside of my pants), or worst of all, when Andy creates spectacularly long run-on sentences that make you have to go back to the beginning of the paragraph to figure out what he was even talking about, try to put it in some perspective.

I’m not saying we shouldn’t aim for the best we have to offer. I’m saying that we shouldn’t adopt scorched-earth rants just because we had to use that David Haas song that one time.

The other day, I was frustrated about something or other at work, and I had to remind myself just how good I have it. I have a wonderfully talented choir, and they are quite good sports about trying the challenging literature I have thrown at them (and excelled at it). I have a parish that appreciates good liturgy and music, and participate in the singing with no arm-twisting, and don’t complain about the choir singing now and then.

Most of all, what we music directors should all be grateful for is the opportunity to serve God through our musical contributions to the liturgy. I always say that, since my vocation is and always will be to be a husband and father, I would clean filth up if it meant putting food on the table. That I get to do what I love and get paid for it is a blessing indeed.

It’s okay to strive for perfection, and always seek something better. Just keep some perspective and be patient with improvement in your life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

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