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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Archives for October 2013

Jeff Ostrowski · October 24, 2013

Details About Sung Masses In “The Old Days”

“During a High Mass, the Choir will begin the Graduale etc. while the Priest recites the Epistle.” — St. Gregory Hymnal (1941)

Corpus Christi Watershed · October 24, 2013

Organ Accompaniments to Simple Gregorian Chants

PDF organ accompaniment scores for simple chants found in the Parish Book of Chant.

Andrew R. Motyka · October 23, 2013

Precious Rehearsal Time

Spending rehearsal time to save more later.

Jeff Ostrowski · October 23, 2013

The Secret “Mora Vocis” of the Vatican Edition

Here are seven (7) videos explaining how to sing according to the rhythm of the Editio Vaticana (Vatican Edition) created by Abbot Pothier at the request of Pope Pius X.

Jeff Ostrowski · October 23, 2013

Concerning Proofreading And Capitalization

Some editors believe in their hearts there is only one “correct” way

Jeff Ostrowski · October 22, 2013

Does The Vatican II Lectionary Distort Scripture?

“I have noticed that when the present Lectionary occasionally proposes a ‘Shorter Form’ for one of the Gospel readings, the lines edited are something Our Lord said that comfortable people would rather He had not said.” — Fr. George W. Rutler

Cynthia Ostrowski · October 22, 2013

Catholic Line Art, Black and White • Installment #39

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · October 21, 2013

Alfons Cardinal Stickler, Peritus during Vatican II

When a certain bishop stood up at Vatican II and expressed concern that “the entire Mass might be held in the language of the people,” the entire hall burst into uproarious laughter.

Jeff Ostrowski · October 21, 2013

Bishop Carroll and Vernacular in the Liturgy c. 1787

“In this country either for want of books or inability to read, the great part of our congregations must be utterly ignorant of the meaning and sense of the publick offices of the Church.” — Archbishop of Baltimore (1787)

Jeff Ostrowski · October 21, 2013

Jimmy Stewart … and Church Music Regulations?

“Whenever school children must be placed in the choir loft at High Mass, the Boys may sing but the Girls must keep silent, unless the whole congregation takes part in the singing.” — Diocese of Pittsburgh Regulations (1931)

Fr. David Friel · October 20, 2013

What to Do with the Prayer of the Faithful

A Critique

Veronica Brandt · October 19, 2013

St Teresa’s Dad and Standards

“My father was fond of reading good books and had some in Spanish so that his children might read them too.” – some in Spanish – today we assume our books would be in our native tongue, but not so in St Teresa’s home.

Richard J. Clark · October 18, 2013

Composing Heals a Heavy Heart

Musical composition, especially in a defined prayerful structure, can uncover a wounded heart, one that is buried under its own weight. Music in service to God—even for a humble group of singers—may heal and lift those weighed down. This may include the composer as well!

Corpus Christi Watershed · October 18, 2013

Why Are We Bored At Mass?

Dr. Scott Hahn admits to being bored at Mass … and explains why his daughter “doesn’t want to go to Heaven.”

Fr. David Friel · October 18, 2013

Patron Saint of Artists

Saint Luke: An Evangelist in Various Media

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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