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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for October 2013

Jeff Ostrowski · October 24, 2013

Details About Sung Masses In “The Old Days”

“During a High Mass, the Choir will begin the Graduale etc. while the Priest recites the Epistle.” — St. Gregory Hymnal (1941)

Corpus Christi Watershed · October 24, 2013

Organ Accompaniments to Simple Gregorian Chants

PDF organ accompaniment scores for simple chants found in the Parish Book of Chant.

Andrew R. Motyka · October 23, 2013

Precious Rehearsal Time

Spending rehearsal time to save more later.

Jeff Ostrowski · October 23, 2013

The Secret “Mora Vocis” of the Vatican Edition

Here are seven (7) videos explaining how to sing according to the rhythm of the Editio Vaticana (Vatican Edition) created by Abbot Pothier at the request of Pope Pius X.

Jeff Ostrowski · October 23, 2013

Concerning Proofreading And Capitalization

Some editors believe in their hearts there is only one “correct” way

Jeff Ostrowski · October 22, 2013

Does The Vatican II Lectionary Distort Scripture?

“I have noticed that when the present Lectionary occasionally proposes a ‘Shorter Form’ for one of the Gospel readings, the lines edited are something Our Lord said that comfortable people would rather He had not said.” — Fr. George W. Rutler

Cynthia Ostrowski · October 22, 2013

Catholic Line Art, Black and White • Installment #39

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · October 21, 2013

Alfons Cardinal Stickler, Peritus during Vatican II

When a certain bishop stood up at Vatican II and expressed concern that “the entire Mass might be held in the language of the people,” the entire hall burst into uproarious laughter.

Jeff Ostrowski · October 21, 2013

Bishop Carroll and Vernacular in the Liturgy c. 1787

“In this country either for want of books or inability to read, the great part of our congregations must be utterly ignorant of the meaning and sense of the publick offices of the Church.” — Archbishop of Baltimore (1787)

Jeff Ostrowski · October 21, 2013

Jimmy Stewart … and Church Music Regulations?

“Whenever school children must be placed in the choir loft at High Mass, the Boys may sing but the Girls must keep silent, unless the whole congregation takes part in the singing.” — Diocese of Pittsburgh Regulations (1931)

Fr. David Friel · October 20, 2013

What to Do with the Prayer of the Faithful

A Critique

Veronica Brandt · October 19, 2013

St Teresa’s Dad and Standards

“My father was fond of reading good books and had some in Spanish so that his children might read them too.” – some in Spanish – today we assume our books would be in our native tongue, but not so in St Teresa’s home.

Richard J. Clark · October 18, 2013

Composing Heals a Heavy Heart

Musical composition, especially in a defined prayerful structure, can uncover a wounded heart, one that is buried under its own weight. Music in service to God—even for a humble group of singers—may heal and lift those weighed down. This may include the composer as well!

Corpus Christi Watershed · October 18, 2013

Why Are We Bored At Mass?

Dr. Scott Hahn admits to being bored at Mass … and explains why his daughter “doesn’t want to go to Heaven.”

Fr. David Friel · October 18, 2013

Patron Saint of Artists

Saint Luke: An Evangelist in Various Media

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The council did not say Latin should be abolished. It said Latin should be used. […] While at Ecclesia Dei, I once received a letter from a chancery office in the United States, asking me if I didn’t know that the council had abolished Latin!”

— Cardinal Mayer, Prefect (1985–1988) of the Vatican’s Congregation for Divine Worship

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.