Views from the Choir Loft

Organ Accompaniments to Simple Gregorian Chants

Corpus Christi Watershed · October 24, 2013

Simple Chants from the Parish Book of Chant:

Page 89 • Adoremus In Aeternum (Ostrowski)
+ Mp3 practice file

Page 91 • Anima Christi (Ostrowski)
+ Mp3 practice file

Page 98 • Confirma Hoc Deus (Ostrowski)

Page 99 • Da Pacem Domine (Ostrowski)

Page 103 • O Salutaris (Ostrowski)

Page 107 • Panis Angelicus

Page 126 • Salve Mater (Ostrowski)

Page 136 • Ecce Nomen Domini (Ostrowski)

Page 149 • Crucem Tuam (Ostrowski)

Page 150 • Crux Fidelis (Ostrowski)

Page 154 • Concordi Laetita (Ostrowski)
+ Mp3 practice file

Page 159 • Salve Festa Dies (Ostrowski)

Page 161 • Benedictus (Ostrowski)

Page 162 • Magnificat (Ostrowski)

Alternate versions from the NOH:

Panis Angelicus (NOH)
O Salutaris (NOH)
Magnificat (NOH)
Da Pacem (NOH)
Confirma Hoc (NOH)
Benedictus (NOH)

Alternate versions of the Magnificat:

ORGANIST: MIDDLE KEY • LOW KEY • HIGH KEY

VOCALIST: MIDDLE KEY • LOW KEY • HIGH KEY

RANDOM RECORDINGS: 01 • 02 • 03 • 04

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

14th Sunday in Ordinary Time (Year C)

Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.

—Jeff Ostrowski

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

“The introduction of the vernacular will certainly be a great sacrifice for those who know the beauty, the power and the expressive sacrality of Latin. We are parting with the speech of the Christian centuries; we are becoming like profane intruders in the literary preserve of sacred utterance. We will lose a great part of that stupendous and incomparable artistic and spiritual thing, the Gregorian chant. We have reason indeed for regret […] We are giving up something of priceless worth.”

— Pope Paul VI