• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Incarnation and Divinization

Dr. Peter Kwasniewski · October 31, 2013

ALTHOUGH I HAVE some disagreements with Fr. Michael Casey’s book, Fully Human, Fully Divine: An Interactive Christology (Liguori, 2004), there are also passages in it that are extremely profound and rhapsodic in their chanting of the divinely beautiful Gospel. I would like to share one of my favorite passages with the readers of Views from the Choir Loft. — Dr. Peter Kwasniewski

272 annunciation HE INCARNATION makes no sense without the corresponding doctrine of our divinization. God’s Son descended so that we might ascend, that we might share the divinity of him who humbled himself to share our humanity. In the Prologue of the Fourth Gospel (Jn 1:1–18), we see enunciated the three prime moments of Salvation History, as understood by the evangelist. “The Word was with God … the Word became flesh … and of his fullness we have all received.” Our participation in the life of God is an essential part of the whole project. Our vocation is to be receivers of the fullness of the Word made flesh. The extent of the resultant assimilation is indicated when the evangelist adds “grace for grace.” Here he employs the same preposition used in the Greek Bible to denote equivalence: “An eye for an eye and a tooth for a tooth.” Everything the Word was by nature, we become by grace.

Each of the believing and reasoning members of Christ can truly say of themselves that they are what he is—even God’s Son, even God. But he is so by nature, they by association (consortio). He is so fully; they by participation. Finally, what the Son is by virtue of being begotten, his members are not only by a legal decree or by the giving of a name but by adoption…

There is a paradox involve in this doctrine: it is only by becoming divine that we begin to be fully human. Conversely, if we are not divinized we become subhuman—beings whose innate potential has been left unrealized…

That the divinization of human beings is a neglected doctrine powerfully reveals the impoverishment of Christian faith that we have allowed to occur. It is easy enough to reduce the mystery of God’s plan to a few “metaphysical and ethical crumbs” (Schleiermacher). Such oversimplification does not succeed in making Christianity more accessible to the ordinary person, but simply renders it banal and boring. . . . Religion is about the transformation of sinful humanity. This miraculous process can be protected and even sustained by ethical constraints and rational discourse, but its essential origin is elsewhere…

There is always the danger that theological and moral rectitude (orthodoxy and orthopraxy) loom so large on our religious horizon that relationship with God recedes into the background. In this age, more than in any other, we need the divine boldness to affirm that Christianity is not a matter of being good but of becoming God. It is only by the wholehearted acceptance of the truth that God’s Son fully shared our humanity that we can be emboldened to find in him our way towards an intense and transforming relationship with the God who exists beyond human experience.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

The old Roman rite had the offering by the people and then, as offertory-prayer, what we call the “Secret.” The name “Secreta” means that it was said in a low voice, because the offertory-psalm was being sung. For the same reason it is not preceded by “Oremus.”

— Father Adrian Fortescue

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.