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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Incarnation and Divinization

Dr. Peter Kwasniewski · October 31, 2013

ALTHOUGH I HAVE some disagreements with Fr. Michael Casey’s book, Fully Human, Fully Divine: An Interactive Christology (Liguori, 2004), there are also passages in it that are extremely profound and rhapsodic in their chanting of the divinely beautiful Gospel. I would like to share one of my favorite passages with the readers of Views from the Choir Loft. — Dr. Peter Kwasniewski

272 annunciation HE INCARNATION makes no sense without the corresponding doctrine of our divinization. God’s Son descended so that we might ascend, that we might share the divinity of him who humbled himself to share our humanity. In the Prologue of the Fourth Gospel (Jn 1:1–18), we see enunciated the three prime moments of Salvation History, as understood by the evangelist. “The Word was with God … the Word became flesh … and of his fullness we have all received.” Our participation in the life of God is an essential part of the whole project. Our vocation is to be receivers of the fullness of the Word made flesh. The extent of the resultant assimilation is indicated when the evangelist adds “grace for grace.” Here he employs the same preposition used in the Greek Bible to denote equivalence: “An eye for an eye and a tooth for a tooth.” Everything the Word was by nature, we become by grace.

Each of the believing and reasoning members of Christ can truly say of themselves that they are what he is—even God’s Son, even God. But he is so by nature, they by association (consortio). He is so fully; they by participation. Finally, what the Son is by virtue of being begotten, his members are not only by a legal decree or by the giving of a name but by adoption…

There is a paradox involve in this doctrine: it is only by becoming divine that we begin to be fully human. Conversely, if we are not divinized we become subhuman—beings whose innate potential has been left unrealized…

That the divinization of human beings is a neglected doctrine powerfully reveals the impoverishment of Christian faith that we have allowed to occur. It is easy enough to reduce the mystery of God’s plan to a few “metaphysical and ethical crumbs” (Schleiermacher). Such oversimplification does not succeed in making Christianity more accessible to the ordinary person, but simply renders it banal and boring. . . . Religion is about the transformation of sinful humanity. This miraculous process can be protected and even sustained by ethical constraints and rational discourse, but its essential origin is elsewhere…

There is always the danger that theological and moral rectitude (orthodoxy and orthopraxy) loom so large on our religious horizon that relationship with God recedes into the background. In this age, more than in any other, we need the divine boldness to affirm that Christianity is not a matter of being good but of becoming God. It is only by the wholehearted acceptance of the truth that God’s Son fully shared our humanity that we can be emboldened to find in him our way towards an intense and transforming relationship with the God who exists beyond human experience.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Of course, the new [Easter Vigil] liturgy has greatly streamlined the symbology. But the exaggerated simplification has removed elements that used to have quite a hold on the mindset of the faithful. […] Is this Easter Vigil liturgy definitive?”

— Paul VI to Virgilio Noè (10 April 1971)

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