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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Incarnation and Divinization

Dr. Peter Kwasniewski · October 31, 2013

ALTHOUGH I HAVE some disagreements with Fr. Michael Casey’s book, Fully Human, Fully Divine: An Interactive Christology (Liguori, 2004), there are also passages in it that are extremely profound and rhapsodic in their chanting of the divinely beautiful Gospel. I would like to share one of my favorite passages with the readers of Views from the Choir Loft. — Dr. Peter Kwasniewski

272 annunciation HE INCARNATION makes no sense without the corresponding doctrine of our divinization. God’s Son descended so that we might ascend, that we might share the divinity of him who humbled himself to share our humanity. In the Prologue of the Fourth Gospel (Jn 1:1–18), we see enunciated the three prime moments of Salvation History, as understood by the evangelist. “The Word was with God … the Word became flesh … and of his fullness we have all received.” Our participation in the life of God is an essential part of the whole project. Our vocation is to be receivers of the fullness of the Word made flesh. The extent of the resultant assimilation is indicated when the evangelist adds “grace for grace.” Here he employs the same preposition used in the Greek Bible to denote equivalence: “An eye for an eye and a tooth for a tooth.” Everything the Word was by nature, we become by grace.

Each of the believing and reasoning members of Christ can truly say of themselves that they are what he is—even God’s Son, even God. But he is so by nature, they by association (consortio). He is so fully; they by participation. Finally, what the Son is by virtue of being begotten, his members are not only by a legal decree or by the giving of a name but by adoption…

There is a paradox involve in this doctrine: it is only by becoming divine that we begin to be fully human. Conversely, if we are not divinized we become subhuman—beings whose innate potential has been left unrealized…

That the divinization of human beings is a neglected doctrine powerfully reveals the impoverishment of Christian faith that we have allowed to occur. It is easy enough to reduce the mystery of God’s plan to a few “metaphysical and ethical crumbs” (Schleiermacher). Such oversimplification does not succeed in making Christianity more accessible to the ordinary person, but simply renders it banal and boring. . . . Religion is about the transformation of sinful humanity. This miraculous process can be protected and even sustained by ethical constraints and rational discourse, but its essential origin is elsewhere…

There is always the danger that theological and moral rectitude (orthodoxy and orthopraxy) loom so large on our religious horizon that relationship with God recedes into the background. In this age, more than in any other, we need the divine boldness to affirm that Christianity is not a matter of being good but of becoming God. It is only by the wholehearted acceptance of the truth that God’s Son fully shared our humanity that we can be emboldened to find in him our way towards an intense and transforming relationship with the God who exists beyond human experience.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.”

— ‘Dr. Domingos Pinto Coelho, noted lawyer from Lisbon and chairman of the Bar Association (1917)’

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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