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Views from the Choir Loft

Incarnation and Divinization

Dr. Peter Kwasniewski · October 31, 2013

ALTHOUGH I HAVE some disagreements with Fr. Michael Casey’s book, Fully Human, Fully Divine: An Interactive Christology (Liguori, 2004), there are also passages in it that are extremely profound and rhapsodic in their chanting of the divinely beautiful Gospel. I would like to share one of my favorite passages with the readers of Views from the Choir Loft. — Dr. Peter Kwasniewski

272 annunciation HE INCARNATION makes no sense without the corresponding doctrine of our divinization. God’s Son descended so that we might ascend, that we might share the divinity of him who humbled himself to share our humanity. In the Prologue of the Fourth Gospel (Jn 1:1–18), we see enunciated the three prime moments of Salvation History, as understood by the evangelist. “The Word was with God … the Word became flesh … and of his fullness we have all received.” Our participation in the life of God is an essential part of the whole project. Our vocation is to be receivers of the fullness of the Word made flesh. The extent of the resultant assimilation is indicated when the evangelist adds “grace for grace.” Here he employs the same preposition used in the Greek Bible to denote equivalence: “An eye for an eye and a tooth for a tooth.” Everything the Word was by nature, we become by grace.

Each of the believing and reasoning members of Christ can truly say of themselves that they are what he is—even God’s Son, even God. But he is so by nature, they by association (consortio). He is so fully; they by participation. Finally, what the Son is by virtue of being begotten, his members are not only by a legal decree or by the giving of a name but by adoption…

There is a paradox involve in this doctrine: it is only by becoming divine that we begin to be fully human. Conversely, if we are not divinized we become subhuman—beings whose innate potential has been left unrealized…

That the divinization of human beings is a neglected doctrine powerfully reveals the impoverishment of Christian faith that we have allowed to occur. It is easy enough to reduce the mystery of God’s plan to a few “metaphysical and ethical crumbs” (Schleiermacher). Such oversimplification does not succeed in making Christianity more accessible to the ordinary person, but simply renders it banal and boring. . . . Religion is about the transformation of sinful humanity. This miraculous process can be protected and even sustained by ethical constraints and rational discourse, but its essential origin is elsewhere…

There is always the danger that theological and moral rectitude (orthodoxy and orthopraxy) loom so large on our religious horizon that relationship with God recedes into the background. In this age, more than in any other, we need the divine boldness to affirm that Christianity is not a matter of being good but of becoming God. It is only by the wholehearted acceptance of the truth that God’s Son fully shared our humanity that we can be emboldened to find in him our way towards an intense and transforming relationship with the God who exists beyond human experience.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

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“In accordance with the ancient tradition of the Church, institution to the ministries of reader and acolyte is reserved to men.”

— Pope Saint Paul VI (15 August 1972)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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