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Views from the Choir Loft

Who Likes to be “Pruned”?

Richard J. Clark · October 25, 2013

OHN 15 CONTAINS SOME OF THE MOST well known lines of scripture, especially the first verse, “I am the true vine, and my Father is the vine grower.” Yet, there are a few lines that I find intriguing—ones that are often overlooked—lines that are calling us to serve God.

John 15: 2: He takes away every branch in me that does not bear fruit, and everyone that does he prunes so that it bears more fruit.

So it seems we are pruned in order to bear more fruit. I don’t know about you, but I don’t like being pruned. I don’t like improperly imposed limitations, dealing with challenging personalities or situations—all the while knowing that I perhaps inflict difficult challenges on others. As musicians of liturgical music, challenges to the integrity of the sacred liturgy and sacred music are never in short supply.

But pruned we are again and again. Somehow, we must refine our people skills and find creative ways to catechize. Somewhere in all of these challenges we often refine our musical skills just when we thought our music was threatened. Ultimately, this pruning leads to a refinement of the soul.

So another verse I find most intriguing is John 15: 16: “It was not you who chose me, but I who chose you and appointed you to go and bear fruit that will remain…”

That God chooses us to serve leads to a bigger picture. What is our path in life? What does God want us to do in order to serve Him? God indeed, while often painfully slow in his response to our prayer (and for good reason), knows what is best for us and always answers our pleadings. This leads to Psalm 16 (15):11:

“You will show me the path of life, the fullness of joy in your presence, O Lord.”

There are times in life when our path is uncertain or does not make sense in the eyes of humankind. But in verse nine, the psalmist gives us hope:

“And so, my heart rejoices, my soul is glad; even my flesh shall rest in hope.”

Free Download | Psalm 16 (15):
Communion Antiphon for the Thirty-first Sunday in Ordinary Time (Nov. 3rd):
PDF • Notas mihi fecisti | Communion Antiphon | 31st Sunday in Ordinary Time

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“From the responses received, it is thus clear that by far the greater number of bishops feel that the present discipline [Communion on the tongue and not in the hand] should not be changed at all—indeed, that if it were changed, this would be offensive to the sensibility and spiritual appreciation of these bishops and of most of the faithful.”

— Sacred Congregation for Divine Worship (29 May 1969)

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