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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Celebrating the Golden Jubilee of ICEL in Rome

Corpus Christi Watershed · October 17, 2013

Reminder: As many have documented over the last five decades, the early history of ICEL was lamentable. However, a while back, the Holy See reformed the entire organization. This reform helped precipitate the promulgation of the current (more accurate) Mass translation by ICEL.

The following was posted by Fr. Zuhlsdorf:

HE INTERNATIONAL COMMISSION on English in the Liturgy was founded in St Peter’s Basilica fifty years ago today. The occasion will be marked by a Solemn Mass at the Altar of the Chair at 5pm, concelebrated by the Bishops of the Commission and their collaborators (Principal Celebrant and Homilist – Archbishop Arthur Roche, Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments).

The Mass will include English Gregorian Chant from the Roman Missal and the Graduale Parvum together with some hymns. The Master of Ceremonies of the Mass will be Mgr Jean-Pierre Kwambamba Masi, one of the papal ceremonieri. The deacons will be from the Pontifical Scots College and the Pontifical Beda College. Seminarians from the Pontifical North American College will serve and the schola will be formed of seminarians of the Venerable English College and the Pontifical Beda College. The organist will be Charles Cole, Assistant Director of Music of the London Oratory. The lector will be Peter Finn, Associate Director of ICEL. The offertory gifts will be brought forward by the staff of the ICEL Secretariat from Washington DC. In addition to concelebrating bishops and priests, Cardinals Pell and Burke will assist in Choir.

The Mass will be followed by a reception at the Venerable English College, venue of the first ever meeting of ICEL. Tomorrow, Friday October 18th, Feast of St Luke, The Holy Father will receive the Bishops of the Commission and the ICEL Editorial Committee and their principal collaborators in an audience in the Sala Clementina of the Apostolic Palace.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Roman Missal Third Edition Last Updated: January 1, 2020

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

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  • “Music List” • 5th Sunday of Easter (Year C)
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