Views from the Choir Loft

Celebrating the Golden Jubilee of ICEL in Rome

Corpus Christi Watershed · October 17, 2013

Reminder: As many have documented over the last five decades, the early history of ICEL was lamentable. However, a while back, the Holy See reformed the entire organization. This reform helped precipitate the promulgation of the current (more accurate) Mass translation by ICEL.

The following was posted by Fr. Zuhlsdorf:

HE INTERNATIONAL COMMISSION on English in the Liturgy was founded in St Peter’s Basilica fifty years ago today. The occasion will be marked by a Solemn Mass at the Altar of the Chair at 5pm, concelebrated by the Bishops of the Commission and their collaborators (Principal Celebrant and Homilist – Archbishop Arthur Roche, Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments).

The Mass will include English Gregorian Chant from the Roman Missal and the Graduale Parvum together with some hymns. The Master of Ceremonies of the Mass will be Mgr Jean-Pierre Kwambamba Masi, one of the papal ceremonieri. The deacons will be from the Pontifical Scots College and the Pontifical Beda College. Seminarians from the Pontifical North American College will serve and the schola will be formed of seminarians of the Venerable English College and the Pontifical Beda College. The organist will be Charles Cole, Assistant Director of Music of the London Oratory. The lector will be Peter Finn, Associate Director of ICEL. The offertory gifts will be brought forward by the staff of the ICEL Secretariat from Washington DC. In addition to concelebrating bishops and priests, Cardinals Pell and Burke will assist in Choir.

The Mass will be followed by a reception at the Venerable English College, venue of the first ever meeting of ICEL. Tomorrow, Friday October 18th, Feast of St Luke, The Holy Father will receive the Bishops of the Commission and the ICEL Editorial Committee and their principal collaborators in an audience in the Sala Clementina of the Apostolic Palace.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Funeral Music “Template” • For Families

Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.

—Jeff Ostrowski

“To Cover Sin With Smooth Names”

Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.

—Jeff Ostrowski

Heretical Hymns

As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!

—Jeff Ostrowski

“Reminder” — Month of Febr. (2026)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski