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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

From Every Oops

Andrew R. Motyka · September 4, 2013

E ARE ALL AWARE, at least peripherally, that every mistake carries with it a learning experience. Some have big impacts on our lives, some give us insights about ourselves, and others we just say, “Wow, I never knew that.” This story is one of those last kinds, with a little bit of forced humility added in.

As most of you know, I just started a new position last November. As my first Easter in this parish drew to a close and we re-entered Ordinary Time, I learned something about my parish’s celebration of their feast day, Saints Peter and Paul. I learned that for many years now, the parish had shifted their titular feast from June 29 to the nearest Sunday.

I thought that was a particularly odd practice, and ran it by the director of worship. He agreed that the Sunday celebration should always take precedence when the Solemnity doesn’t actually fall on the Sunday. We talked it over with the rector, and there was much disappointment among the people. Hey, at least we were doing it right, right?

Cut to 2 weeks ago, when the director of worship emails me two different articles by the inimitable Gary Penkala over at CanticaNOVA Publications addressing this very subject. Well, fine. The parish feast day (as well as, as Penkala rightly points out, the patron feast day and the anniversary of dedication) can be celebrated as solemnities in their respective parishes. Of course I knew that. Furthermore, when June 29 falls on a Sunday (as it does next year), it’s a Solemnity anyway, so it will trump the Sunday. No problem. It’s all in the Table of Precedence in the Calendar.

Oh, what’s that it says? No way. I’ll have to check…um…yup. There it is, in the Universal Norms on the Liturgical Year and the General Roman Calendar:

#58. For the pastoral good of the faithful, it is permitted to observe on Sundays in Ordinary Time those celebrations that fall during the week and that are agreeable to the devotion of the faithful, provided the celebrations rank above that Sunday in the Table of Liturgical Days. The Mass of such celebrations may be used at all the celebrations of Mass at which the people are present.

Well, shoot. Even if SS. Peter and Paul wasn’t a Solemnity, it would become one by virtue of it being the titular feast of the parish. So yes, they can transfer it to the nearest Sunday in Ordinary Time.

I wasn’t just slightly off in my focus. I was unabashedly, flat-out wrong. We’ll make it right next time. Now that I’ve had a couple of weeks to wipe the egg off of my face, isn’t that an interesting distinction in the calendar? Your parish has many opportunities to celebrate its titular feast, its patronal feast, and its anniversary of dedication.

Get partying!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“In condemning us, you condemn all your own ancestors—all the ancient priests, bishops and kings—all that was once the glory of England, the island of saints and the most devoted child of the See of Peter. For what have we taught, however you may qualify it with the odious name of treason, that they did not uniformly teach?”

— Father Edmund Campion (to the Anglicans about to murder him)

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