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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

From Every Oops

Andrew R. Motyka · September 4, 2013

E ARE ALL AWARE, at least peripherally, that every mistake carries with it a learning experience. Some have big impacts on our lives, some give us insights about ourselves, and others we just say, “Wow, I never knew that.” This story is one of those last kinds, with a little bit of forced humility added in.

As most of you know, I just started a new position last November. As my first Easter in this parish drew to a close and we re-entered Ordinary Time, I learned something about my parish’s celebration of their feast day, Saints Peter and Paul. I learned that for many years now, the parish had shifted their titular feast from June 29 to the nearest Sunday.

I thought that was a particularly odd practice, and ran it by the director of worship. He agreed that the Sunday celebration should always take precedence when the Solemnity doesn’t actually fall on the Sunday. We talked it over with the rector, and there was much disappointment among the people. Hey, at least we were doing it right, right?

Cut to 2 weeks ago, when the director of worship emails me two different articles by the inimitable Gary Penkala over at CanticaNOVA Publications addressing this very subject. Well, fine. The parish feast day (as well as, as Penkala rightly points out, the patron feast day and the anniversary of dedication) can be celebrated as solemnities in their respective parishes. Of course I knew that. Furthermore, when June 29 falls on a Sunday (as it does next year), it’s a Solemnity anyway, so it will trump the Sunday. No problem. It’s all in the Table of Precedence in the Calendar.

Oh, what’s that it says? No way. I’ll have to check…um…yup. There it is, in the Universal Norms on the Liturgical Year and the General Roman Calendar:

#58. For the pastoral good of the faithful, it is permitted to observe on Sundays in Ordinary Time those celebrations that fall during the week and that are agreeable to the devotion of the faithful, provided the celebrations rank above that Sunday in the Table of Liturgical Days. The Mass of such celebrations may be used at all the celebrations of Mass at which the people are present.

Well, shoot. Even if SS. Peter and Paul wasn’t a Solemnity, it would become one by virtue of it being the titular feast of the parish. So yes, they can transfer it to the nearest Sunday in Ordinary Time.

I wasn’t just slightly off in my focus. I was unabashedly, flat-out wrong. We’ll make it right next time. Now that I’ve had a couple of weeks to wipe the egg off of my face, isn’t that an interesting distinction in the calendar? Your parish has many opportunities to celebrate its titular feast, its patronal feast, and its anniversary of dedication.

Get partying!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Catholic Church holds it better for the sun and moon to drop from heaven, for the earth to fail, and for all the many millions on it to die of starvation in extremest agony, as far as temporal affliction goes, than that one soul, I will not say, should be lost, but should commit one single venial sin, should tell one willful untruth, or should steal one poor farthing without excuse.”

— Saint John Henry Newman (1865)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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