• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

Archives for August 2013

Veronica Brandt · August 24, 2013

What not to do on GitHub

Read my mistakes to save yourself the trouble.

Jeff Ostrowski · August 23, 2013

Help! What does Fr. Deryck Hanshell mean?

USCCB Secretariat of Divine Worship: “The GIRM never speaks to every possible scenario that could take place.”

Jeff Ostrowski · August 22, 2013

Bishop Christensen Attempts To Ban “Ad Orientem”

“There is nothing in the Council text about turning altars toward the people.” — Joseph Cardinal Ratzinger

Dr. Peter Kwasniewski · August 22, 2013

Musings of an Aristotelian Catholic

In the mystery of the Incarnation, God takes delight in responding to man’s sensible, bodily nature, and the resulting need for tasting and touching our God.

Jeff Ostrowski · August 22, 2013

Pope Pius X: The Pope Who Carried His Shoes

Named Bishop of Mantua, Sarto began in 1884 to teach dogma courses in the Seminary, giving each student a personal copy of the “Summa Theologiae.”

Andrew R. Motyka · August 21, 2013

First, the Priests

The importance of the priest singing the orations at Mass.

Jeff Ostrowski · August 19, 2013

Singing Propers and Ordinary . . . at Low Mass?

“And the practice of saying a Low Mass while the choir sings bits of things is too dreadful to be described.” — Fr. Adrian Fortescue, 1912

Fr. David Friel · August 18, 2013

The Gift of Music

Whose Gift Is It?

Jeff Ostrowski · August 17, 2013

Anticipation of Richard . . .

One of our contributors, Richard Clark, plans to write about the 1998 ICEL translation . . .

Veronica Brandt · August 17, 2013

A hymn for St Mary of the Cross

A beautiful hymn from Rev Fr Popplewell FSSP from Canberra, Australia.

Jeff Ostrowski · August 17, 2013

Essay on Gregorian Accompaniment

I published this article in 2007. I am reproducing it here in case anyone finds it useful.

Kevin Allen · August 15, 2013

Motecta Trium Vocum • Video

To learn about Motecta Trium Vocum, please click here.

Kevin Allen · August 15, 2013

Contemporary Sacred Music: Does It Exist?

To learn more about I Sing of a Maiden, please click here.

Kevin Allen · August 15, 2013

Cantiones Sacrae Simplices • Video

To learn more about Cantiones Sacrae Simplices, please click here.

Corpus Christi Watershed · August 15, 2013

Foreword by Bishop René H. Gracida

Foreword by Bishop René H. Gracida

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.