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Views from the Choir Loft

Singing Propers and Ordinary . . . at Low Mass?

Jeff Ostrowski · August 19, 2013

955 Conception Abbey ODAY, I’LL BE SHARING a September 1937 article by Dom Gregory Hügle, O.S.B., one of the most important promoters of Gregorian chant in the early part of the 20th century.

      * *  1937 Article (Dom Gregory Hügle, OSB)

Now that I’ve shared the document, I shall make a few observations about this section:

Q. “Is it permitted to sing any part or all of the Ordinary of the Mass in Latin (Kyrie, Gloria, Sanctus, Agnus Dei) at a Low Mass?

A. Yes, it is permitted to sing the parts mentioned in Latin. With regard to the Gloria the Roman decision remarks “that the intonation should be sung by the choir”.

Q. “Is it permitted to sing the same parts in English at a Low Mass?”

A. No, it is not permitted to sing these parts in the vernacular. Holy Church demands that the liturgical parts be sung in the liturgical language, which is “Latin”.

Q. “Is it permitted to sing any or all of the variable chants of the Proper (Introit, Gradual, Allelttia, Offertory, Communion) in Latin, at a Low Mass in English?”

A. Any parts of the Proper may be sung in Latin, but not in English, for the reason mentioned above. Low Mass is a liturgical function. If you select parts of the liturgical musical belonging to Holy Mass, the same must be sung in Latin.

This information, given in 1937 by Dom Hügle, is not generally known by those who celebrate the Extraordinary Form. As a matter of fact, it contradicts what many authorities say. Perhaps an expert of ceremonies can explain why in the combox.

Speaking of “odd” practices of the EF, I’ve mentioned elsewhere that the 1958 Instruction of Pope Pius XII allows the entire congregation to recite all the Propers (in Latin) along with the Celebrant. (!) This is never done. I doubt it ever was done, although a later publication, the New St. Joseph Sunday Missal and Hymnal (1966), tried to encourage this practice.

Dom Gregory’s words about the Gloria intonation are interesting. In my article, “Who should intone the Gloria at Mass?”, I mentioned that cantors were given permission to intone the Gloria following the Second Vatican Council. If Dom Hügle is correct, this was allowed in the Traditional Latin Mass.

PERHAPS THIS PRACTICE — singing Mass Ordinary & Propers at Low Mass — is not as crazy as it sounds. After all, there were all kinds of “compromises” in the pre-Conciliar Mass. People who really know the EF Mass will admit that only two Masses exist as far as the rubrics are concerned: “Solemn Mass” (with Deacon, Subdeacon, and incense) and “Low Mass.” These are the two we included in the Campion Missal. I’m told using incense without Deacon and Subdeacon required an indult for quite a while. Over the years, all kinds of different practices arose. I’ve even seen a “High Mass” with one server who tried to incense the Sanctissimum at the Elevation while still lifting the priest’s chasuble with his other hand. Here is what Fr. Fortescue said:

Our so-called Missa Cantata is the compromise of a compromise, a Low Mass, with singing as at High Mass, only justifiable to enhance the dignity of Sunday Mass when a deacon and subdeacon cannot be had. And the practice of saying a Low Mass while the choir sings bits of things is too dreadful to be described. (Adrian Fortescue, The Mass, p. 191)

My feeling is that Dom Gregory Hügle is probably correct. He was very highly respected in his day, and Prior of Conception Abbey, Missouri. The entire August 1933 edition of Caecilia was dedicated to Dom Gregory.

By the way, I’ve already talked a lot about vernacular hymns at Low Mass. Read part 1 and 6 of my six-part series to read what I’ve written about this.   [Click here and scroll down to the bottom to view my six-part series.]

One final comment: this 1937 edition of Caecilia gave readers a special “sneak peek” of a new set of accompaniments to the Kyriale which Achille P. Bragers was about to release. Years later, these would become quite famous. Click here to download the Bragers Kyriale for free or puchase the hardbound copy (high key & low key).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dialogue Mass With Vernacular Hymns, Low Mass Vernacular Hymns Last Updated: April 6, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    Symposium Draft Schedule Released!
    Those who head over to the Symposium Website will notice the tentative schedule for 2023 has been released. This is all very exciting! Very soon, we will begin accepting applications, so please make sure you have subscribed to our mailing list. If you are subscribed, that means you'll hear announcements before anyone else. (It’s incredibly easy to subscribe to our mailing list; just scroll to the bottom of any blog article and enter your email address.)
    —Jeff Ostrowski
    Good Friday Polyphony by L. Senfl
    The editor of the Sacred Music Magazine recently made available to the public this splendid article by our own Charles Weaver. It includes an edition of polyphony for the GOOD FRIDAY “Reproaches.” Renaissance composers often set the various offices of Holy Week; e.g. readers will probably be familiar with the beautiful TENEBRAE setting by Father Tomás Luis de Victoria (d. 1611). From what I can tell, Ludwig Senfl (d. 1543) was originally a Catholic priest, but eventually was seduced by Luther and ended up abandoning the sacred priesthood.
    —Jeff Ostrowski
    Coming Soon! • Symposium 2023
    A few weeks ago, dates were announced for Sacred Music Symposium 2023. The rehearsal videos are beginning to appear! For example, the KYRIE ELEYSON contains sections by Lassus, Victoria, and Palestrina. You can see and hear Part 1 at this link. Much more information about this wonderful conference will be released soon!
    —Jeff Ostrowski

Random Quote

Oh, what sighs I uttered, what tears I shed, to mingle with the waters of the torrent, while I chanted to Thee, O my God, the psalms of Holy Church in the Office of the Dead!

— ‘Isaac Jogues, upon finding Goupil’s corpse (1642)’

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