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Views from the Choir Loft

The Gift of Music

Fr. David Friel · August 18, 2013

O YOU EVER FALL INTO THE TRAP of thinking that the music you make is your gift to God? To a certain extent it is. Yet, in a much deeper sense, it is not.

After a lengthy passage recalling the Lord’s goodness to His people throughout history, Joshua makes a beautiful observation: “[The Lord] gave you a land that you had not tilled and cities that you had not built, to dwell in; you have eaten of vineyards and olive groves which you did not plant” (Joshua 24:13). Everything we have—material & spiritual—is the gratuitous gift of God. Nothing we could ever do or offer really originates in us. Everything issues from above.

Even the offerings we make at Mass do not truly come from us. The bread and wine, to be sure, are the handiwork of a farmer and vinedresser. But are they ultimately responsible for the bread and wine? They may plant and tend the wheat and the grapes, but it is God Who provides the growth. This notion is included in the text of Eucharistic Prayer IV: “Look, O Lord, upon the sacrifice which You, Yourself, have provided for Your Church.” It’s in the Roman Canon, too: “We . . . offer to Your glorious majesty, from the gifts that You have given us . . . the holy Bread of eternal life and the Chalice of everlasting salvation.”

A popular English hymn elaborates on this idea:

We plough the fields, and scatter the good seed on the land; But it is fed and watered by God’s almighty hand: He sends the snow in winter, the warmth to swell the grain, The breezes and the sunshine, and soft refreshing rain.

Chorus: All good gifts around us Are sent from heaven above, Then thank the Lord, O thank the Lord For all His love.

He only is the maker of all things near and far; He paints the wayside flower, He lights the evening star; The winds and waves obey Him, by Him the birds are fed; Much more to us, His children, He gives our daily bread.

We thank Thee, then, O Father, for all things bright and good, The seed time and the harvest, our life, our health, and food; No gifts have we to offer, for all Thy love imparts, But that which Thou desirest, our humble, thankful hearts.

We see the same truth spelled out in little children. When their parents’ birthdays come around, young children have no means with which to purchase a meaningful gift. Very often at Christmastime, the money children have to buy gifts for their family members is actually given to them by their parents. All that children can offer on their own is perhaps a worthless piece of refrigerator art. What gives such a gift value is that it was made and given with love.

Before God, we all must look very much like young children. Nothing we have is really ours. We cannot fairly take credit for any of our possessions, nor any of our talents. All that we can truly offer is ourselves.

Fortunately, that is precisely what the Lord wants from us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Finally, let us not forget that listening especially is active participation. When we listen to the performances of Bach’s Saint Matthew Passion, we can fully participate actively in the Passion of Christ. And so, if we listen attentively to the singing and organ music during the celebration of the divine services, our participation is not less complete. The real significance of this objective and very important aspect is insufficiently understood.”

— Flor Peeters

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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