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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Everybody hates a hypocrite! (2 of 3)

Jeff Ostrowski · August 25, 2013

458 German OW MANY TIMES have you heard a homilist use the following words? “The original Greek word used here was such-and-such . . .”  I’ve heard these words quite frequently, and I’m bringing this up for a reason.

I mentioned in Part 1 that many contemporary Scripture translations used at Mass alter verses that don’t require alteration. The title page of these new Scripture translations often reads:

“Translated from the Original Languages with Critical Use of All the Ancient Sources.”

Sounds pretty impressive, no? Almost as impressive as the sentence I mentioned earlier (“The original Greek used” etc.). But let’s take a closer look.

THE CATHOLIC CHURCH teaches that Sacred Scripture is the Word of God, but we need to remember that this divine inspiration applies only to the original writings (which we no longer possess). The Catholic Church never promised that every single variant or translation is inspired by God. We currently posses something like 30,000 ancient manuscript copies of the Bible, and more are discovered each year. Many are in Latin, many are in Greek, and there are other languages, too.

This whole subject is absolutely amazing, and one could spend a lifetime learning about it. Obviously, I will not go into the details during this short blog entry.

So, what’s my point? Well, to make a long story short, the mere fact that a manuscript is “written in Greek” means nothing. A particular Greek manuscript may or may not be more ancient than, for instance, St. Jerome’s Latin Vulgate. It may or may not be closer to the original (i.e. more accurate). It may or may not contain errors. While it’s true that most of the Old Testament was written in Hebrew and the New was mainly written in Greek, a manuscript written in an “original” language doesn’t guarantee that it’s more authentic (especially if it was copied at a later date). I get irritated when people automatically prefer, let’s say, a 10th century Greek manuscript to a 5th century Latin manuscript.

Bottom line: Any priest who starts explaining the Bible by saying, “The Greek word used here (etc.),” has a serious obligation to let us know which manuscript he’s citing. This is the very least he can do.

Sadly, a type of bias seems to have developed against the Vulgate, which is foolish considering St. Jerome had access to many ancient sources we no longer possess.

459 mss EVERYBODY HATES A HYPOCRITE, so let me point out that I “followed my own advice” in the Campion Missal. By showing various ancient manuscripts from different locations going back to the year 650AD, people can “see with their own eyes” that our Roman Canon has remained inviolate throughout the centuries.

By the way, this sloppiness happens a lot with regard to music. I can’t tell you the number of times somebody has talked about “ancient Jewish music” or “ancient Islamic music” without citing any manuscript. It’s a free country, so people are ultimately free to make guesses about ancient Jewish music or Islamic music . . . but it’s often wild speculation. Gregorian chant was the first music to be written down. We know what it sounded like (more or less) in 900AD because we have manuscripts with melodies. These are really basic facts: it’s breathtaking how often they’re ignored.

Let me say it again: we can only talk with certainty about music we can see. Gregorian chant was the first music to be notated. We know what it was like in 900AD because we can see it. Each of us is free to guess what Gregorian chant might have been like in 400AD. We’re equally free to guess what Jewish music might have sounded like in 600AD or 200BC. But it’s all guesswork unless we can see it. There are no sources of Jewish music or Islamic music that approach Gregorian chant in terms of its antiquity. I realize some people will never accept or understand these basic facts.

PLEASE NOTE: I’m not opposed to using every ancient source we have at our disposal. Nor am I opposed to palaeography (the study of ancient writing) and textual criticism (comparing different MSS to one another). On the other hand, I realize that these things are not infallible. Incidentally, I’m fully aware that Bishop Richard Challoner consulted Greek manuscripts and made “corrections,” which may or may not have been wise.


Click here to read Part 3.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Père Joseph Gelineau represented everything that had gone wrong with the Church since the new liturgists had gained control.”

— Jean Langlais

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