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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Gift of Music

Fr. David Friel · August 18, 2013

O YOU EVER FALL INTO THE TRAP of thinking that the music you make is your gift to God? To a certain extent it is. Yet, in a much deeper sense, it is not.

After a lengthy passage recalling the Lord’s goodness to His people throughout history, Joshua makes a beautiful observation: “[The Lord] gave you a land that you had not tilled and cities that you had not built, to dwell in; you have eaten of vineyards and olive groves which you did not plant” (Joshua 24:13). Everything we have—material & spiritual—is the gratuitous gift of God. Nothing we could ever do or offer really originates in us. Everything issues from above.

Even the offerings we make at Mass do not truly come from us. The bread and wine, to be sure, are the handiwork of a farmer and vinedresser. But are they ultimately responsible for the bread and wine? They may plant and tend the wheat and the grapes, but it is God Who provides the growth. This notion is included in the text of Eucharistic Prayer IV: “Look, O Lord, upon the sacrifice which You, Yourself, have provided for Your Church.” It’s in the Roman Canon, too: “We . . . offer to Your glorious majesty, from the gifts that You have given us . . . the holy Bread of eternal life and the Chalice of everlasting salvation.”

A popular English hymn elaborates on this idea:

We plough the fields, and scatter the good seed on the land; But it is fed and watered by God’s almighty hand: He sends the snow in winter, the warmth to swell the grain, The breezes and the sunshine, and soft refreshing rain.

Chorus: All good gifts around us Are sent from heaven above, Then thank the Lord, O thank the Lord For all His love.

He only is the maker of all things near and far; He paints the wayside flower, He lights the evening star; The winds and waves obey Him, by Him the birds are fed; Much more to us, His children, He gives our daily bread.

We thank Thee, then, O Father, for all things bright and good, The seed time and the harvest, our life, our health, and food; No gifts have we to offer, for all Thy love imparts, But that which Thou desirest, our humble, thankful hearts.

We see the same truth spelled out in little children. When their parents’ birthdays come around, young children have no means with which to purchase a meaningful gift. Very often at Christmastime, the money children have to buy gifts for their family members is actually given to them by their parents. All that children can offer on their own is perhaps a worthless piece of refrigerator art. What gives such a gift value is that it was made and given with love.

Before God, we all must look very much like young children. Nothing we have is really ours. We cannot fairly take credit for any of our possessions, nor any of our talents. All that we can truly offer is ourselves.

Fortunately, that is precisely what the Lord wants from us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

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