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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Organ Accompaniments for the Campion Hymnal

St. Edmund Campion Missal and Hymnal · July 1, 2013

Remember! This page is from 2013.

ORGANIST VOL. 1   •   388 pages, spiral bound
— Complete Kyriale   •   $37.99

Contents:   Three (3) different harmonizations of the Ordinarium Missae are included in our book:
1.) Achille P. Bragers, LOW KEY;
2.) Carlo Rossini, MIDDLE KEY;
3.) Nova Organi Harmonia, HIGH KEY.

For purposes of comparison:   Other merchants sell the Bragers Kyriale (alone!) for $38.


ORGANIST VOL. 2   •   374 pages, spiral bound
— Hymns & Simple Chants   •   $44.95

Contents:   1.) Organ accompaniments for all the Hymns in Campion Hymnal;   2.) Additional transpositions and alternate harmonizations for many of the hymns;   3.) Information on interpreting the Vatican Edition rhythm;   4.) Organ accompaniments for the “Simple Chants” in the Campion Hymnal.

For purposes of comparison:   GIA sells their “Gather Comprehensive” accompaniment book for $105.   OCP sells their “Journeysongs Third Edition” accompaniment book for $110.   GIA sells their “Worship Fourth Edition” accompaniment book for $115.

To sing SATB versions of the hymns, please use the harmonizations provided in the Organist Edition. Permission is hereby given to xerox copy individual pages, as long as such copies are used in accordance with this goal (and not shared for any other purpose).

A NOTE ABOUT HYMN HARMONIZATIONS :

The “perfect” hymn harmonization does not exist. Harmonizations must be chosen according to: 1.) skill of the organist; 2.) acoustic of the Church; 3.) type of choir; 4.) needs of the congregation; 5.) amount of verses to be sung; 6.) time of day (lower for morning, higher for evening); and a thousand other important considerations. For this reason, we included the “standard” harmonization for each hymn. We also included transpositions for more than half of the hymns (based on range and tessitura, which, incidentally, are not the same thing). Furthermore, we included alternate harmonizations when this seemed appropriate.

 

* * *  Take advantage of coupons that give you 20% or even 30% off your entire order!  Click here.


* *  To understand the video above, you need to know how to “right click.”   If you don’t know how to right click, here’s a 30 second video explaining how.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: December 23, 2020

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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