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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for June 2013

Richard J. Clark · June 14, 2013

Stravinsky on Tradition

“A real tradition is not the relic of a past that is irretrievably gone; it is a living force that animates and informs the present” –Igor Stravinsky

Dr. Peter Kwasniewski · June 13, 2013

What Vatican II Said (and Didn’t Say) about the Liturgy

Vatican II presents a mystical, contemplative, symbolic vision of liturgy, the celebration of which John Paul II said “must be characterized by a profound sense of the sacred.” Is it what you experience at your local parish?

Jeff Ostrowski · June 13, 2013

Does Your Missal Obey Pope Paul VI?

“Gregorian Chant is apt to remain the singing voice of the Church for a good many years to come.” — Fr. Malone, writing in 1962.

Andrew R. Motyka · June 12, 2013

An FYI on EP in the OF – Part 3

This timeless text is the high point of this liturgy.

Guest Author · June 12, 2013

Responsorial Psalms & Gospel Acclamations

“It is true that the use of the ancient psalm tones for texts in English has been a matter of recent debate, some asserting that it is not possible to fit the cadences of the Gregorian tones . . .”

Fr. David Friel · June 11, 2013

Obedience to the Church

Freedom or Slavery?

Corpus Christi Watershed · June 11, 2013

An 1833 English Translation of the Missal?

Considering the history of vernacular translations, which were forbidden at certain times by the Church, the following 1833 document will be of interest.

Jeff Ostrowski · June 11, 2013

Choir Members’ Behavior In The Year 1596

On 24 December 1596, Nanino records that the singers missed a response of “Amen,” which they were supposed to make after the pope said the Gospel at Matins. But the books were marked so that the same thing would not happen the following year, as it might if they depended only on memory.

Corpus Christi Watershed · June 11, 2013

Chant Workshop At Historic Mission San Buenaventura

The session in Ventura, CA, will include Gregorian notation and solfege, Chant in English and Latin, Counting, Mass Ordinary, and a capstone using the Pange Lingua.

Jeff Ostrowski · June 11, 2013

Proud Father With Son & Daughter

Normally, I hate it when blogs become too personal, but I hope our readers will tolerate me sharing two (2) pictures of our children.

Corpus Christi Watershed · June 10, 2013

100 Easy, Beautiful Organ Interludes (Manuals Only)

In the 1930s, Dom Gregory Murray did a tremendous service to Church organists by composing many organ interludes without pedals.

Jeff Ostrowski · June 10, 2013

Entering The Danger Zone: Congregational Singing

Are we being honest when we claim that the “entire congregation” can sing a hymn at Mass? I had to search pretty hard, but finally found someone willing to admit the truth.

Veronica Brandt · June 10, 2013

Setting propers to psalm tones with gregorio

Another training video showing another easy way to use gregorio online – this time while holding a 4 month old baby girl!

Guest Author · June 10, 2013

The Story Behind The Code

A guest article by Benjamin Bloomfield about a new Gregorian chant tool.

Cynthia Ostrowski · June 10, 2013

Catholic Line Art, Black and White • Installment #20

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“No living writer possesses a greater command over the English language than Msgr. Knox, but in this instance one cannot help feeling that he has allowed his virtuosity to get the better of him, and, in his anxiety to shield the holy of holies from vulgar intrusion, produced a text that would either pass over the listener’s head as completely as the original Latin, or else leave him groping so long after the meaning that he would be quite unable to keep pace with the officiating priest.”

— Dr. Herbert Patrick Reginald Finberg (University of Leicester)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)
  • PDF Download • “Funerals in the Ordinary Form”
  • Extreme Unction
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