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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for June 2013

Richard J. Clark · June 14, 2013

Stravinsky on Tradition

“A real tradition is not the relic of a past that is irretrievably gone; it is a living force that animates and informs the present” –Igor Stravinsky

Dr. Peter Kwasniewski · June 13, 2013

What Vatican II Said (and Didn’t Say) about the Liturgy

Vatican II presents a mystical, contemplative, symbolic vision of liturgy, the celebration of which John Paul II said “must be characterized by a profound sense of the sacred.” Is it what you experience at your local parish?

Jeff Ostrowski · June 13, 2013

Does Your Missal Obey Pope Paul VI?

“Gregorian Chant is apt to remain the singing voice of the Church for a good many years to come.” — Fr. Malone, writing in 1962.

Andrew R. Motyka · June 12, 2013

An FYI on EP in the OF – Part 3

This timeless text is the high point of this liturgy.

Guest Author · June 12, 2013

Responsorial Psalms & Gospel Acclamations

“It is true that the use of the ancient psalm tones for texts in English has been a matter of recent debate, some asserting that it is not possible to fit the cadences of the Gregorian tones . . .”

Fr. David Friel · June 11, 2013

Obedience to the Church

Freedom or Slavery?

Corpus Christi Watershed · June 11, 2013

An 1833 English Translation of the Missal?

Considering the history of vernacular translations, which were forbidden at certain times by the Church, the following 1833 document will be of interest.

Jeff Ostrowski · June 11, 2013

Choir Members’ Behavior In The Year 1596

On 24 December 1596, Nanino records that the singers missed a response of “Amen,” which they were supposed to make after the pope said the Gospel at Matins. But the books were marked so that the same thing would not happen the following year, as it might if they depended only on memory.

Corpus Christi Watershed · June 11, 2013

Chant Workshop At Historic Mission San Buenaventura

The session in Ventura, CA, will include Gregorian notation and solfege, Chant in English and Latin, Counting, Mass Ordinary, and a capstone using the Pange Lingua.

Jeff Ostrowski · June 11, 2013

Proud Father With Son & Daughter

Normally, I hate it when blogs become too personal, but I hope our readers will tolerate me sharing two (2) pictures of our children.

Corpus Christi Watershed · June 10, 2013

100 Easy, Beautiful Organ Interludes (Manuals Only)

In the 1930s, Dom Gregory Murray did a tremendous service to Church organists by composing many organ interludes without pedals.

Jeff Ostrowski · June 10, 2013

Entering The Danger Zone: Congregational Singing

Are we being honest when we claim that the “entire congregation” can sing a hymn at Mass? I had to search pretty hard, but finally found someone willing to admit the truth.

Veronica Brandt · June 10, 2013

Setting propers to psalm tones with gregorio

Another training video showing another easy way to use gregorio online – this time while holding a 4 month old baby girl!

Guest Author · June 10, 2013

The Story Behind The Code

A guest article by Benjamin Bloomfield about a new Gregorian chant tool.

Cynthia Ostrowski · June 10, 2013

Catholic Line Art, Black and White • Installment #20

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

A priest celebrating the Mass “ad orientem” is no more turning his back on the people than a teacher leading her students in the “Pledge of Allegiance” is slighting them by turning her back on them and facing the flag with them.

— Archbishop Salvatore Cordileone (6 April 2025)

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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