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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fantastic News For The New Translation!

Jeff Ostrowski · June 5, 2013

ECENTLY, a survey on the New English Translation of the Roman Missal was undertaken. From what I understand, the comments were sent in via the internet (which is always a “red flag”).

From a scientific perspective, the survey has been fully discredited, which should not surprise us since “no ostensible polling experts were involved” (more on that here). In essence, it was found to be “self-selecting,” so I shall not add to what Professor Brown has already said. Even the survey’s creators admitted that “this study measures only the views of priests who chose to respond.”

So, what’s the fantastic news? Considering the circumstances, one would have expected the results to be drastically, hopelessly against the New Translation. As it turns out, this was not the case.

What makes me say this? Short answer: self-selecting surveys are usually a prime opportunity for dissatisfied folks to “vent.” After all, folks tend to be highly motivated when it comes to complaining. Furthermore, the survey was sponsored by an organization opposed to the New Translation on ideological grounds. I know several priests who saw the name “Godfrey Diekmann” and chose not to take part in the survey. (Fr. Diekmann was one of the most outspoken leaders of the “progressive” movement and was an ardent supporter of the “hootenanny Mass.” See page 22.)

Y UNDERSTANDING IS THAT this survey was basically a school project undertaken by several students. Nevertheless, I find it remarkable that a crucial question was not asked. That crucial question is, of course:

“Is the New Translation more accurate than the previous one?”

They seem to have gone out of their way to ask every question except the crucial one. By way of analogy, they asked: “Do you like the taste of the pill your doctor gave you?” What they ought to have asked: “Did the pill take away your pain?”

I’m not going to insult the intelligence of our readers by explaining the most probable reason they didn’t ask the crucial question.

IS THE ENGLISH TRANSLATION for the Third Edition of the Roman Missal perfect? No. There are certainly ways it could be improved. For example, it could use the second person singular form “Thou” in addressing almighty God.

However, the most important thing is that our New Translation is so much more accurate than the previous one, and I have yet to find a single person who would argue otherwise. Perhaps this is why the results of the survey were so surprising and positive.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “5th Sunday of Easter” (Year A)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the 5th Sunday of Easter Sunday—a.k.a. “Dominica V Paschae”—which is 3 May 2026. Please feel free to download it as a PDF file if such a thing interests you. The COMMUNION (“Tanto Témpore Vobíscum Sum”) is rather somber, with awesome fauxbourdon psalm verses. The ENTRANCE CHANT is bright and happy.
    —Jeff Ostrowski
    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

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