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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fantastic News For The New Translation!

Jeff Ostrowski · June 5, 2013

ECENTLY, a survey on the New English Translation of the Roman Missal was undertaken. From what I understand, the comments were sent in via the internet (which is always a “red flag”).

From a scientific perspective, the survey has been fully discredited, which should not surprise us since “no ostensible polling experts were involved” (more on that here). In essence, it was found to be “self-selecting,” so I shall not add to what Professor Brown has already said. Even the survey’s creators admitted that “this study measures only the views of priests who chose to respond.”

So, what’s the fantastic news? Considering the circumstances, one would have expected the results to be drastically, hopelessly against the New Translation. As it turns out, this was not the case.

What makes me say this? Short answer: self-selecting surveys are usually a prime opportunity for dissatisfied folks to “vent.” After all, folks tend to be highly motivated when it comes to complaining. Furthermore, the survey was sponsored by an organization opposed to the New Translation on ideological grounds. I know several priests who saw the name “Godfrey Diekmann” and chose not to take part in the survey. (Fr. Diekmann was one of the most outspoken leaders of the “progressive” movement and was an ardent supporter of the “hootenanny Mass.” See page 22.)

Y UNDERSTANDING IS THAT this survey was basically a school project undertaken by several students. Nevertheless, I find it remarkable that a crucial question was not asked. That crucial question is, of course:

“Is the New Translation more accurate than the previous one?”

They seem to have gone out of their way to ask every question except the crucial one. By way of analogy, they asked: “Do you like the taste of the pill your doctor gave you?” What they ought to have asked: “Did the pill take away your pain?”

I’m not going to insult the intelligence of our readers by explaining the most probable reason they didn’t ask the crucial question.

IS THE ENGLISH TRANSLATION for the Third Edition of the Roman Missal perfect? No. There are certainly ways it could be improved. For example, it could use the second person singular form “Thou” in addressing almighty God.

However, the most important thing is that our New Translation is so much more accurate than the previous one, and I have yet to find a single person who would argue otherwise. Perhaps this is why the results of the survey were so surprising and positive.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The banality and vulgarity of the [ICEL] translations which have ousted the sonorous Latin and little Greek are of a supermarket quality which is quite unacceptable.”

— Sir Alec Guinness (1985)

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