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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Corpus Christi

Fr. David Friel · June 2, 2013

OST PEOPLE WHO FREQUENT THE WATERSHED are somehow invested in the work of sacred music. Very often, that work can become all-consuming. Instead of refreshing us like art should, the tasks associated with liturgical musicianship can drain us by becoming our sole focus. Especially for those who work full-time in churches, the role of the sacred musician can easily slip into less a role of service and more of a frantic effort to subsist. We may be responsible for Mass upon Mass and choir upon choir. Sometimes we recognize it as it’s happening to us, yet, even though we realize it is unhealthy, it happens to us anyway. We find ourselves powerless to change the situation.

As the Church celebrates this week the great solemnity of Corpus Christi, the remedy for this age-old affliction is set before us. In difficult times, as in peaceful times, we should turn to the Most Blessed Sacrament. The God we serve, after all, is not music; rather, we use music to serve our God. Consider this reflection from Archbishop Fulton Sheen:

“Hence the Mass is to us the crowning act of Christian worship. A pulpit in which the words of Our Lord are repeated does not unite us to Him; a choir in which sweet sentiments are sung brings us no closer to His Cross than His garments. A temple without an altar of sacrifice is non-existent among primitive peoples, and is meaningless among Christians. And so in the Catholic Church the altar—and not the pulpit or the choir or the organ—is the center of worship, for there is re-enacted the memorial of His Passion” (Calvary and the Mass).

This should be our remedy when we sit frazzled on the bench or stand beleaguered in the loft. Let’s leave the loft and spend some time in the pew. Even a short time spent before the Body of Christ can feed us with living waters that will sustain us.

We are called to worship at the altar, not at the organ. In doing the work of the Lord, we must never neglect the Lord of the work.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

It would be contrary to the Constitution to decree or even to hint that sung celebrations, especially of the Mass, should be in Latin.

— Annibale Bugnini attacking “Sacrosanctum Concilium” (§36)

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