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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Not-So-Ordinary Time

Andrew R. Motyka · May 8, 2013

RDINARY TIME GETS ITS NAME not because it is dull or not special, but because it is numbered. Ordinal refers to that which is numbered. Therefore, Ordinary Time is named such because it is simply the time in which we count the weeks. How strange, then, that counting is something that Ordinary Time sometimes does poorly! For example, in a few weeks, we will begin Ordinary Time again, resuming with the 10th Sunday of Ordinary Time. But wait, I thought that the last time we experienced Ordinary time was just before Lent, with the 5th Sunday! How does that work out?

First of all, I think it helpful to refer to the Sundays not of Ordinary Time, but in Ordinary Time. It’s a small distinction, but it helps to clarify the concept. Each individual week of Ordinary Time begins with a Sunday, but it is not always named a Sunday of Ordinary Time. For example, the first week begins with the Baptism of the Lord. Remembering this principle, and knowing that Easter Season ends with Pentecost Sunday, we can deduce that the week after Pentecost is the 6th week of Ordinary Time, the week after Trinity is the 7th week of Ordinary Time, and the week after Corpus Christi is the 8th week of Ordinary Time. Therefore, when we resume counting Sundays this year, the week after Corpus Christi (June 9) will be the…um…10th Sunday of Ordinary Time? What gives? I thought this was about counting!

This reminds me of a riddle that my grandfather used to tell me:

Three men check into a hotel. The hotel manager charges them $30, and so, splitting the bill, each man pays $10. After the men go up to their room, the manager realizes he has overcharged them; he only should have charged them $25 for the room. He gives $5 to the bellboy and tells him to go reimburse the men. The dishonest bellboy pockets $2 while he is in the elevator and only reimburses the men $3. Now, each of the men has paid $9 for the room. 9 times 3 equals 27, plus the 2 dollars that the bellboy kept equals 29. Where’s the other dollar?

The answer to this riddle, as well as the Mystery of the Missing Week of Ordinary Time, is that you’re counting it wrong. You are presented with the wrong elements of the financial math in the riddle, just as you are counting the weeks incorrectly in Ordinary Time. Indeed, Ordinary Time did leave off with the 5th Sunday just before Ash Wednesday. However, it doesn’t resume with the 6th Sunday.

The trick here is to remember two things: because Christmas occurs on a different weekday each year, then the Advent and Christmas seasons will be of varying length. The second thing to remember is that the last Sunday in Ordinary Time, Christ the King, is always on the 34th Sunday of Ordinary Time. This year, though, there are only 33, not 34, Sundays in Ordinary Time. How does the Church rectify this? Simply put, she cheats. She simply declares the last Sunday of Ordinary Time to be the 34th, and then counts backwards until she reaches Pentecost. Therefore, the week following Pentecost is the 7th, not the 6th, week in Ordinary Time. There simply skips the 6th week of Ordinary Time altogether this year. You’ve been counting it wrong.

Before you are too scandalized by this (and honestly, who isn’t scandalized by the trivialities of the Liturgical Calendar Year? Lent isn’t even 40 days! Psh!), recall that counting backwards is how we figure out almost everything in the calendar. The beginning of Advent is determined by counting backwards from Christmas, and the beginning of Lent is figured by counting backwards from Easter. Sorry everybody, you were baptized into a weird family. That’s just how we roll.

If you thought Ordinary Time was Ordinary by any definition of the word, you were wrong.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

Re: Low Mass: “It is desirable that in read Masses on Sundays and feast-days, the Gospel and Epistle be read by a lector in the vernacular for the convenience of the faithful.”

— 1958 document, issued under Pope Pius XII

Recent Posts

  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses

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