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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Not-So-Ordinary Time

Andrew R. Motyka · May 8, 2013

RDINARY TIME GETS ITS NAME not because it is dull or not special, but because it is numbered. Ordinal refers to that which is numbered. Therefore, Ordinary Time is named such because it is simply the time in which we count the weeks. How strange, then, that counting is something that Ordinary Time sometimes does poorly! For example, in a few weeks, we will begin Ordinary Time again, resuming with the 10th Sunday of Ordinary Time. But wait, I thought that the last time we experienced Ordinary time was just before Lent, with the 5th Sunday! How does that work out?

First of all, I think it helpful to refer to the Sundays not of Ordinary Time, but in Ordinary Time. It’s a small distinction, but it helps to clarify the concept. Each individual week of Ordinary Time begins with a Sunday, but it is not always named a Sunday of Ordinary Time. For example, the first week begins with the Baptism of the Lord. Remembering this principle, and knowing that Easter Season ends with Pentecost Sunday, we can deduce that the week after Pentecost is the 6th week of Ordinary Time, the week after Trinity is the 7th week of Ordinary Time, and the week after Corpus Christi is the 8th week of Ordinary Time. Therefore, when we resume counting Sundays this year, the week after Corpus Christi (June 9) will be the…um…10th Sunday of Ordinary Time? What gives? I thought this was about counting!

This reminds me of a riddle that my grandfather used to tell me:

Three men check into a hotel. The hotel manager charges them $30, and so, splitting the bill, each man pays $10. After the men go up to their room, the manager realizes he has overcharged them; he only should have charged them $25 for the room. He gives $5 to the bellboy and tells him to go reimburse the men. The dishonest bellboy pockets $2 while he is in the elevator and only reimburses the men $3. Now, each of the men has paid $9 for the room. 9 times 3 equals 27, plus the 2 dollars that the bellboy kept equals 29. Where’s the other dollar?

The answer to this riddle, as well as the Mystery of the Missing Week of Ordinary Time, is that you’re counting it wrong. You are presented with the wrong elements of the financial math in the riddle, just as you are counting the weeks incorrectly in Ordinary Time. Indeed, Ordinary Time did leave off with the 5th Sunday just before Ash Wednesday. However, it doesn’t resume with the 6th Sunday.

The trick here is to remember two things: because Christmas occurs on a different weekday each year, then the Advent and Christmas seasons will be of varying length. The second thing to remember is that the last Sunday in Ordinary Time, Christ the King, is always on the 34th Sunday of Ordinary Time. This year, though, there are only 33, not 34, Sundays in Ordinary Time. How does the Church rectify this? Simply put, she cheats. She simply declares the last Sunday of Ordinary Time to be the 34th, and then counts backwards until she reaches Pentecost. Therefore, the week following Pentecost is the 7th, not the 6th, week in Ordinary Time. There simply skips the 6th week of Ordinary Time altogether this year. You’ve been counting it wrong.

Before you are too scandalized by this (and honestly, who isn’t scandalized by the trivialities of the Liturgical Calendar Year? Lent isn’t even 40 days! Psh!), recall that counting backwards is how we figure out almost everything in the calendar. The beginning of Advent is determined by counting backwards from Christmas, and the beginning of Lent is figured by counting backwards from Easter. Sorry everybody, you were baptized into a weird family. That’s just how we roll.

If you thought Ordinary Time was Ordinary by any definition of the word, you were wrong.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“I am of the opinion, to be sure, that the old rite should be granted much more generously to all those who desire it. It’s impossible to see what could be dangerous or unacceptable about that. A community is calling its very being into question when it suddenly declares that what until now was its holiest and highest possession is strictly forbidden and when it makes the longing for it seem downright indecent.”

— Cardinal Ratzinger, 1997

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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