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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Acts of the Apostles

Fr. David Friel · April 17, 2013

OUND UP WITH THE CELEBRATION OF EASTER is the reading of the Acts of the Apostles. It’s fascinating to me to read, year after year, about the initial fervor and drama of the Christian way. Among the most evocative episodes in the book is the scene wherein Stephen debates people from Cyrene, Alexandria, Cilicia, & Asia—folks from all corners of the world. Stephen’s words were so persuasive that the people “could not withstand the wisdom and the Spirit with which he spoke” (Acts 6:10).

How do we reconcile that scene with our personal experience? Surely, we all know people who have heard the Gospel message but who have not been overwhelmed by it. Think of the Millennials who were raised by good, faithful parents but who have grown apathetic toward faith. Think of all the students who graduate from 8 or 12 or 16 years of Catholic education only to drift away from the Church. Think of the many catechumens & candidates who come through RCIA but fade back into oblivion after Pentecost. The faith was taught to them, but it wasn’t well received. How do we deal with this reality when we compare it to Stephen’s experience?

We ought not to feel inadequate if our children or friends or classmates have not swooned over our evangelatory efforts. It is a teaching of the Church that we receive grace only insofar as we are disposed to receive it. This helps to explain why it’s not possible to force faith upon anyone. Faith must be accepted. The closed doors of the hardened heart must be broken open if faith is to find a home. No mere man has the power to throw open the doors of another person’s heart, no matter how charming his rhetoric.

There are, however, tools one can employ to aid the process of conversion. The most compelling things in the world are Truth, Goodness, and Beauty, which philosophy dubs the “Transcendentals.” These three ideals transcend the things of earth and represent the universal aspirations of humanity. Every human heart longs for that which is true & good & beautiful. Nothing we experience in life is more compelling than truth that is taught clearly, goodness that is demonstrated sincerely, and beauty that is revealed intimately. These things can make stiff hearts supple, better disposed to receive the wisdom and Spirit of Christ.

There is something appealing about truths that are systematically laid out for us. There is something heartwarming about goodness that is freely given. There is something vital about beauty that is recognizable in art & music & architecture & liturgy & life.

While we cannot force faith upon others, we can strive to teach the truth clearly, demonstrate sincere goodness, and live life beautifully. By doing these things well, the witness of our very lives can become a convincing sign of the Kingdom.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Re: Low Mass: “It is desirable that in read Masses on Sundays and feast-days, the Gospel and Epistle be read by a lector in the vernacular for the convenience of the faithful.”

— 1958 document, issued under Pope Pius XII

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