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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for March 2013

Jeff Ostrowski · March 24, 2013

Dom Gregory Murray’s People’s Mass & Holy Week

Here is Dom Gregory Murray’s “People’s Mass” in Latin. Somebody could take this, insert the new Translation, and make a lot of money. P.S. What’s it doing in Lapierre’s Holy Week?!!

Jeff Ostrowski · March 24, 2013

Why We Must Never Fail To Sing Holy Music At Mass

For this reason, we must never say, “I cannot be bothered to spend half an hour studying the music for Sunday’s Mass.”

Jeff Ostrowski · March 23, 2013

Historic Meeting of . . . Two Popes? Awesome!

I am not a person who “gets emotional” very easily, but this meeting really touched my heart.

Richard J. Clark · March 22, 2013

A Personal Encounter with Pope Francis

While speaking to his secretary, the Holy Father came down the hall and I greeted him with the traditional kissing of his ring, and we spoke for a little over a minute.

Jeff Ostrowski · March 22, 2013

Interview with Pope Francis While Still A Cardinal

“I admire the courage and uprightness of Pope Benedict on the subject.”—Pope Francis

Dr. Peter Kwasniewski · March 21, 2013

On Listening to Good Music

Some people say that today’s popular music is “more emotional” while traditional music is “less emotional.” In reality, emotions evoked in popular music are more crude and monotonous. Emotions elicited by the music of Palestrina, Bach, or Mozart, being more intellectual, are more profound and pure.

Corpus Christi Watershed · March 21, 2013

Passion Booklet “in parts” For Palm Sunday (YEAR C)

Jon Laird has kindly created a printable PDF Gospel Booklet for Passion (Palm) Sunday containing the Passion for Year C.

Corpus Christi Watershed · March 21, 2013

Good Friday Passion In Parts – Free PDF Booklet

This beautiful PDF was created by Jim & Claire Ridley.

Andrew R. Motyka · March 20, 2013

Cub Scouts, Abel, and Liturgical Music

The Cub Scout motto and how we should always render our best work to God.

Richard J. Clark · March 20, 2013

Free Communion Propers for the Easter Season, Year C

Free download of Communion Propers for the Easter Season, Year C

Corpus Christi Watershed · March 19, 2013

1961 Solesmes “Graduale Romanum” Online

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1953 Schwann Graduale Romanum

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1947 Graduale (Achille P. Bragers)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1951 Mechlin Graduale Romanum (incomplete)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

Corpus Christi Watershed · March 19, 2013

1936 Graduale (Dr. Franz Xavier Mathias)

A free PDF download of this entire book is provided, courtesy of the St. Jean de Lalande Library of Rare Books.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Like all other liturgical functions, like offices and ranks in the Church, indeed like everything else in the world, the religious service that we call the Mass existed long before it had a special technical name.”

— ‘Rev. Adrian Fortescue (THE MASS, page 397)’

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