Views from the Choir Loft

1936 Graduale (Dr. Franz Xavier Mathias)

Corpus Christi Watershed · March 19, 2013

HE FOLLOWING BOOK has been made available for free download courtesy of the Jean de Lalande Library. If you appreciate these efforts, please consider making a donation by using the link at the top of the page.

* * 1936 Dr. Franz Xavier Mathias Graduale (1 of 3)

VOL (1) : : Adventus, nativitatis, Epiphaniae usque ad Dominicam vi. post Epiphaniam. • Pages 1-139 •

* * 1936 Dr. Franz Xavier Mathias Graduale (2 of 3)

VOL (2) : : A septuagesima usque ad feriam VI. post octavam ascensionis. • Pages 141-355 •

* * 1936 Dr. Franz Xavier Mathias Graduale (3 of 3)

VOL (3) : : A vigilia Pentecostes usque ad Dominicam ultimam post Pentecosten. • Pages 357-490 •

• Organum Comitans ad Proprium de Tempore • quod JUXTA EDITIONEM VATICANAM HARMONICE ORNAVIT Dr. Fr. X. Mathias, Regens seminarii et professor musicae sacrae in academia wilhelma argentinensi • Fr. Xavier Mathias • 1936 Editio Quarta • Ratisbonae : Sumptibus Friderici Pustet •

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

20 January 2021 • REMINDER

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—Jeff Ostrowski

19 January 2021 • Confusion over feasts

For several months, we have discussed the complicated history of the various Christmas feasts: the Baptism of the Lord, the feast of the Holy Family, the Epiphany, and so forth. During a discussion, someone questioned my assertion that in some places Christmas had been part of the Epiphany. As time went on, of course, the Epiphany came to represent only three “manifestations” (Magi, Cana, Baptism), but this is not something rigid. For example, if you look at this “Capital E” from the feast of the Epiphany circa 1350AD, you can see it portrays not three mysteries but four—including PHAGIPHANIA when Our Lord fed the 5,000. In any event, anyone who wants proof the Epiphany used to include Christmas can read this passage from Dom Prosper Guéranger.

—Jeff Ostrowski

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski