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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The “Basically Good Person”

Fr. David Friel · March 24, 2013

AVE YOU EVER HEARD someone say, “I’m a basically good person”? I hear it all the time. In fact, people probably tell me that exact thing (or something similar) a few times a week. Other times, it is a family member at a funeral who describes the deceased as a “basically good person.” These claims are made with such frequency that they have caused me to think a great deal about them. Would you consider it an overreaction if I suggested that such a way of thinking is the work of the devil?

The statement, itself, is actually true. We are “basically good,” as the story of creation in Genesis teaches us (Genesis 1:31). The mindset behind the statement, however, is what I find unsettling. When someone says, “I’m a basically good person,” it is a sort of gentle admission of imperfection coupled with an aggressive form of sloth. The unspoken premise underlying such a statement is that one need not bother to improve. The improvement of our lives, though—indeed, the changing of our hearts—is central to the Gospel message, which eschews complacency.

The greatest saints are always those who are most aware that they are great sinners. Read the spiritual works of Teresa of Avila. Crack open the autobiography of Ignatius of Loyola. Get to know the sermons of Jean-Marie Vianney. Dust of your copy of the Little Flower’s Story of A Soul. Remember that Blessed John Paul II would often confess daily. When St. Paul wrote about “sinners, of whom I am the worst,” he was not bloviating with false humility. These saints were all keenly aware of their powerlessness over concupiscence and their need for redemption.

This can be a great litmus test for us: if we can’t think of what we should confess, we probably need to spend more time in prayer and self-reflection. This is the practical wisdom of the Delphic oracle, “Know thyself”; knowledge of self is a pre-requisite for knowledge of God. Corollary to that, it is always and everywhere true that the less aware we are of our sinfulness the farther we are from sanctity.

Saint John said it this way: “If we say, ‘We are free of the guilt of sin,’ we deceive ourselves; the truth is not to be found in us” (1 John 1:8). In this modern age we so often speak not of sin, but of “mistakes that were made.” Rather than accuse ourselves of guilt, we prefer simply to admit that we’re not perfect. We view ourselves not as poor sinners, but as “basically good” people.

I propose that the enemy is pleased with these positions.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

Recent Posts

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  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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