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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cub Scouts, Abel, and Liturgical Music

Andrew R. Motyka · March 20, 2013

s someone who works in the Office of Worship, I see a huge variety of opinion as to what music is appropriate for Mass. Part of my job as the Archdiocesan Director of Liturgical Music is to help in forming musicians, specifically music directors, for appropriate praise to God through song.

This is incredibly challenging. It may be difficult to believe, but we music directors can be pretty opinionated about our choices of music for the Mass (say it isn’t so!). Any opinion that doesn’t exactly mesh with what we are using on a given Sunday sounds like (or is taken as) a personal attack on musicianship, integrity, and holiness. Nevertheless, there must be some standard for the choice of music at Mass.

Our culture doesn’t help on this front. We have a difficult enough time dodging relativism in morality, never mind music. Since taste in music is subjective, many people simply throw up their hands and declare all discussion moot. How do we engage the Church musician who denies any concrete standard of music and liturgy? I offer this starting point:

Do your best.

That looks pretty trite, now that I read it. But what has long been the Cub Scout Motto has pretty far-reaching implications for any person of faith. In all things related to the worship of God, we should give our best. When selecting a piece for your choir, ask yourself, “Is this the best I can give to God?” Is your preparation for Mass the best you can give? If you continually give less than your full effort, less in quality than you know exists, there is a serious problem. If you cannot give such to the liturgy, the worship of God which is the source and summit of our lives, then your priorities need examination.

Abel knew this well. Abel offered the best of his flock to God, while his brother did not (Genesis 4:3-5). Which offering did God prefer? We need to give our very best in worship as well, even if we have to suffer for it, as Abel most certainly did.

Now, the average Church musician may not have the time, skill, or physical or financial resources to execute the same music as your diocesan cathedral, but that is no excuse not to give it the best you can. If we can agree on the Cub Scout Motto as a starting point in discussing musical preparation for Mass, a real discussion can blossom. Our discussion can move beyond musical relativism and become an exploration of what is good, what is the best.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Indeed I might add that although unfamiliar with it myself, the Extraordinary Form expressly reminds us that Mass in either form is not merely a communion meal but a ritual of love, a sacrifice at Calvary, by which, for you and for me, yes, here and now, Jesus Christ lays down his life.

— ‘Most Rev. Philip Egan, Bishop of Portsmouth’

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.