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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1946 Organ Accompaniments for the Kyriale (Lapierre)

Corpus Christi Watershed · March 19, 2013

Dr. Lapierre Accompaniments for the Kyriale HE FOLLOWING BOOK has been made available for free download courtesy of the Jean de Lalande Library. If you appreciate these efforts, please consider making a donation by using the link at the top of the page.

      * *  1946 Organ Accompaniments for the Kyriale (Lapierre)

• Organ Accompaniments for the “Ordinarium Missæ” by Dr. Eugene Lapierre, the person who gave Roger Wagner his doctorate • Born in Montreal, Lapierre received his earliest musical education at Saint Brigid’s Church in his native city where he was a pupil of choirmaster Lucien Perreault. He then studied the organ with Étienne Guillet and worked as an accompanist at the Royal Military College Saint-Jean. He entered the École des Hautes Études Commerciales where he earned a degree in 1922. From 1924–1928 Lapierre studied in Paris through a grant from the Canadian government, first at the Institut Grégorien where he earned a diploma in 1926 and then at the Schola cantorum where he eared a diploma in 1928. Among his teachers in Paris were Georges Caussade (composition), Vincent d’Indy (composition), Marcel Dupré (organ and improvisation), Simone Plé-Caussade (piano), and P. Sylva Hérard (piano). He went on to earn a diploma in journalism and Doctor of Music (1930) from the Université de Montréal, after which he worked as a journalist for La Patrie. While writing for that newspaper he continued to study the organ with Benoît Poirier. During the 1920s and 1930s Lapierre served as organist for several churches in Montreal, including Saint-Philomène de Rosemont, Saint-Denis, and Saint-Jacques (1922-4 and 1928–36). From 1936–1944 he was organist at Saint-Stanislas-de-Kostka and from 1944–70 he served in that position at Saint-Alphonse-d’Youville. In 1921 he was appointed secretary of the Conservatoire national de musique and was later appointed the school’s director in 1927, a post he held up until his death in 1970. Among his notable pupils are Gaston Allaire, Émilien Allard, Françoise Aubut, Pierre Brabant, Albertine Caron-Legris, Alfred Mignault, Colombe Pelletier, and Édouard Woolley. • Eugène Lapierre (8 June 1899 – 21 October 1970) was a Canadian organist, composer, journalist, writer on music, arts administrator, and music educator. He was awarded the King George V Silver Jubilee Medal in 1935 and the King George VI Coronation Medal in 1937. In 1963 he was named Chevalier of the Order of Malta and in 1966 he received the Bene merenti de patria from the Saint-Jean-Baptiste Society. He is the great uncle of composer Yves Lapierre. •

courtesy of Ted Krasnicki

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“To suggest, even loosely, that Catholics walk a more or less similar path to God as other religions drains martyrdom of its meaning. Why give up your life for Christ when other paths may get us to the same God? Such a sacrifice would be senseless.”

— Archbishop Charles J. Chaput

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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