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Views from the Choir Loft

Now Available! Organ Accompaniments for Latin Mass Hymnal

Cynthia Ostrowski · February 25, 2013

AST WEEK, 800 pages of organ accompaniments for the Campion Missal & Hymnal [url] began shipping. Before long, the SATB scores will also become available. Using these large, easy-to-read organist scores, parish musicians can provide accompaniment for all the music found in the Campion book (Ordinarium Missae, Hymns in English & Latin, Simple Gregorian Chants). Here is the URL address to purchase these accompaniments:

     *  Organ Accompaniments • for the
         St. Edmund Campion Missal & Hymnal

Here’s an abbreviated description of each volume:

ORGANIST VOLUME I  •  388 pages long, spiral bound.
This book contains three (3) different harmonizations of the the Gregorian Kyriale:
          1.) Achille P. Bragers, LOW KEY;
          2.) Carlo Rossini, MIDDLE KEY;
          3.) Flor Peeters et al., HIGH KEY.

ORGANIST VOLUME II  •  374 pages long, spiral bound.
This book contains four (4) sections. The chant accompaniments were done by Henri Potiron, Julius Bas, and others. Information given on the Vaticana chant rhythm also applies to Volume I.
          1.) Organ accompaniments for all hymns in the Campion Hymnal;
          2.) Transpositions & alternate harmonizations for many hymns;
          3.) Information on interpreting the Editio Vaticana rhythm;
          4.) Organ accompaniments for the “Simple Chants” in the Campion Hymnal.

The Nova Organi Harmonia accompaniments were created during World War II by faculty members of the Lemmens Institute (Belgium): namely, Flor Peeters, Msgr. Jules Van Nuffel, Msgr. Jules Vyverman, Marinus de Jong, Gustaaf Nees, Henri Durieux, and Edgard de Laet.  Achille P. Bragers, born in Belgium but famous in America, also studied at the Lemmens Institute, as you can see in Bragers’ biography (PDF article).  Carlo Rossini, famous for his “Psalm Tones,” was a priest musician who worked in Philadelphia (and, later, Rome).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Cynthia Ostrowski

Cynthia Ostrowski holds a bachelor's degree (2005) in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“If a pope were only ever applauded, he would have to ask himself whether or not he was doing things right.”

— Pope Emeritus Benedict XVI (2016)

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