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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

David J. Hughes

David J. Hughes · January 8, 2013

AVID J. HUGHES is Organist & Choirmaster at St. Mary Church in Norwalk, Connecticut, where he directs a professional choir for a weekly Solemn Mass in the Extraordinary Form of the Roman Rite (Missal of 1962), a volunteer choir for the Latin Mass according to the Roman Missal of 2002, and several children’s choirs. He led the St. Mary’s Student Schola to sing chant and Renaissance polyphony for the primary English-speaking Masses in August 2011 at World Youth Day in Madrid; the students also sang for pontifical Masses at the Cathedral of Toledo, Extraordinary Form Missae cantatae at the Carmelite monasteries in Avila and Madrid, and for the Latin Masses sponsored by Juventutem.

Active as a composer, and fascinated by the role that plainchant can play in the inspiration of new compositions, Mr. Hughes has written extensively for choir and organ. Recent premieres include Pascha jucundissimum and the Missa de Beata Maria. Film scoring credits include Navis Pictures’ St. Bernadette of Lourdes and several documentaries.

Mr. Hughes is a member of the board of the Church Music Association of America, and serves as a chant instructor and the director of new music at the CMAA’s annual Summer Music Colloquium. He is director of music for the annual Roman Forum Summer Symposium at Lake Garda in the north of Italy.

Mr. Hughes’ composition teachers have included Ruth Schonthal and John Halle, and he has studied organ with Paul Jacobs and Daniel Sullivan. A native of Stamford, Connecticut, Mr. Hughes is a graduate of Yale College.


Photo courtesy: Society of St. Hugh of Cluny

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Last Updated: January 9, 2020

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About David J. Hughes

David J. Hughes is Organist & Choirmaster at St. Mary Church in Norwalk, Connecticut, where he directs a both professional and childrens' choirs. A native of Stamford, Connecticut, Mr. Hughes is a graduate of Yale College.

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Participation at Mass must be “above all internal” (§15), and: “The faithful must be taught to unite themselves interiorly to what the ministers or choir sing, so that by listening to them they may raise their minds to God.”

— Musicam Sacram (5 March 1967)

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