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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Mass

Fr. David Friel · January 20, 2013

E’VE ALL SEEN THE CLASSIC magician’s trick of pulling a rabbit out of a hat. First, the magician shows everyone a top hat. He turns it upside-down to prove that it’s empty. Then, maybe he’ll wave a wand or shake the hat a bit, and he pulls out of it a living rabbit. It’s the most basic, most iconic magic trick of them all. The magician makes something appear out of nothing.

So it might seem like what Jesus did at the wedding feast at Cana was magic. At the request of His Mother, He takes six huge jars of water—about 150 gallons (!)—and, presto-chango, turns them into wine. But this wasn’t a magic trick. It was Jesus’ first miracle.

Something similar happens at every Mass. Whereas Jesus took water and changed it into wine, in every Mass, the priest takes wine and, by God’s power, changes it into the Precious Blood of Christ. That change is utterly complete. When Jesus turned the water into wine at Cana, He turned it into the best kind of wine. He didn’t make just some ratty batch of Shiraz. It was so good, the headwaiter says, “You have kept the best wine until now.”

In much the same way, at Mass, the wine that’s sitting there on the offertory table is brought to the altar and, by the power of the Holy Spirit, it is utterly transformed into the Precious Blood of Christ. There’s a special word for that transformation; it’s called “transubstantiation,” the complete changing of bread and wine into Christ’s Body & Blood at the words of consecration. The Mass is not magic. It is, however, miraculous. What transpires before us every Sunday—what I, as a priest, celebrate every single day—is a miracle of the first order.

Many folks have accused the Mass of being magical, although it is not. In fact, the magician’s phrase, Hocus pocus, came about as a parody of the words said by the priest at Mass. In Latin, the priest prays, Hoc est enim corpus meum, “This is my body.” That was shortened to Hocus pocus, and it came to be used by magicians when bringing about some sort of change.

In the rabbit-from-a-hat trick, the magician makes something appear out of nothing. Differently, at Cana, Jesus took water and changed it into wine. And at every Mass, the priest takes wine, mingled with water, and consecrates it to become the Precious Blood of Christ. As astonishing as this is, the Mass is not magical. It is marvelous, mysterious, and miraculous.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The 1960s reformers had no chance of success since their goal was “recasting from top to bottom—and in a few months!—an entire liturgy which had required twenty centuries to develop.”

— Professor Louis Bouyer, close friend of Pope Saint Paul VI

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  • PDF Download • “Pange Lingua” in Simple (Contemporary) Polyphony for Three Voices
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