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Views from the Choir Loft

The Mass

Fr. David Friel · January 20, 2013

E’VE ALL SEEN THE CLASSIC magician’s trick of pulling a rabbit out of a hat. First, the magician shows everyone a top hat. He turns it upside-down to prove that it’s empty. Then, maybe he’ll wave a wand or shake the hat a bit, and he pulls out of it a living rabbit. It’s the most basic, most iconic magic trick of them all. The magician makes something appear out of nothing.

So it might seem like what Jesus did at the wedding feast at Cana was magic. At the request of His Mother, He takes six huge jars of water—about 150 gallons (!)—and, presto-chango, turns them into wine. But this wasn’t a magic trick. It was Jesus’ first miracle.

Something similar happens at every Mass. Whereas Jesus took water and changed it into wine, in every Mass, the priest takes wine and, by God’s power, changes it into the Precious Blood of Christ. That change is utterly complete. When Jesus turned the water into wine at Cana, He turned it into the best kind of wine. He didn’t make just some ratty batch of Shiraz. It was so good, the headwaiter says, “You have kept the best wine until now.”

In much the same way, at Mass, the wine that’s sitting there on the offertory table is brought to the altar and, by the power of the Holy Spirit, it is utterly transformed into the Precious Blood of Christ. There’s a special word for that transformation; it’s called “transubstantiation,” the complete changing of bread and wine into Christ’s Body & Blood at the words of consecration. The Mass is not magic. It is, however, miraculous. What transpires before us every Sunday—what I, as a priest, celebrate every single day—is a miracle of the first order.

Many folks have accused the Mass of being magical, although it is not. In fact, the magician’s phrase, Hocus pocus, came about as a parody of the words said by the priest at Mass. In Latin, the priest prays, Hoc est enim corpus meum, “This is my body.” That was shortened to Hocus pocus, and it came to be used by magicians when bringing about some sort of change.

In the rabbit-from-a-hat trick, the magician makes something appear out of nothing. Differently, at Cana, Jesus took water and changed it into wine. And at every Mass, the priest takes wine, mingled with water, and consecrates it to become the Precious Blood of Christ. As astonishing as this is, the Mass is not magical. It is marvelous, mysterious, and miraculous.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It would be a grave error to imagine that the principle orientation of the sacrificial action is towards the community. If the priest celebrates «VERSUS POPULUM», which is legitimate and often advisable, his spiritual attitude ought always to be «VERSUS DEUM PER JESUM CHRISTUM», as representative of the entire Church.”

— Official Vatican Statement (25 September 2000)

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