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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

In every age, the challenge is the same

Dr. Peter Kwasniewski · January 17, 2013

BIBLE PASSAGE that has always struck me very forcefully is Romans 12:1–2: “I appeal to you therefore, brethren, by the mercies of God, to present your bodies as a living sacrifice, holy and acceptable to God, which is your spiritual worship. Do not be conformed to this world but be transformed by the renewal of your mind, that you may prove what is the will of God, what is good and acceptable and perfect” (RSV).

Saint Paul is appealing to us by the very mercies of God, so this must be serious stuff indeed. And what is he asking us to do? To present our bodies as living sacrifices: to make of ourselves, even in our bodiliness—“from top to bottom,” one might say—a pleasing sacrifice to the Lord. And he says that if we do this, it counts as our spiritual worship. He could not be clearer in affirming the fundamental unity of man as a creature of body and soul, who worships the Lord as one being, not as a mind doing its own thing and a body left behind to do its own thing. Then, as if to explain further what he means, he says that we must not take on the form of this world, but rather be transformed through those good, acceptable, and perfect things that express God’s will. And this will amount to a re-creation of us, a making new of what has become old, stale, and wretched in our fallen nature: “Behold, I make all things new,” as Jesus says in the Book of Revelation (21:5).

There could not be a teaching more timely and more urgent in our day, when Catholicism has been reduced in its glory and transformative power by decades of facile conformism to the fads and fashions of a secular anti-culture. Nowhere can this be seen more evidently than in the realm of sacred music for the liturgy. Saint Paul’s solemn appeal to give ourselves body and soul to the spiritual worship of God, resolutely turning our backs on this world’s depraved, tawdry, or imperfect offerings, was ignored, even denied, as churches were filled with insipid or heretical lyrics, worldly rhythms, and secular styles.

Thanks be to God, a reversal is beginning to be seen, and a growing number of musicians are taking a different path—one that is genuinely new, with the freshness of the Spirit that hovers over the Church in all ages, not the oldness of the flesh celebrated in the carnal carnival of contemporary society. Centuries of magnificent musical treasures inspired by the Holy Spirit are being newly discovered and sung, in accord with the manifest mind of the Church. And new music worthy of the temple of God is being written—music that strives to be good, acceptable, and perfect, by the high standards of the Sacrifice of Praise.

In every age, the challenge is the same. Christianity should inform culture and transform the world, rather than being informed by the prevailing secular culture and being itself transformed into a second-rate image of the world. We must always be on guard lest the world mould our minds after its image, rather than letting ourselves be renewed in our minds after Christ’s image.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The “jolly good guy” kind of pastor can be an irritant. […] Ministers of the Gospel are not used car salesmen whose heartiness is a mile wide and an inch deep. A bemused layman told me that a bishop joked with him, but turned away like a startled deer when asked an important question…

— Fr. George Rutler (7 August 2017)

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