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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In every age, the challenge is the same

Dr. Peter Kwasniewski · January 17, 2013

BIBLE PASSAGE that has always struck me very forcefully is Romans 12:1–2: “I appeal to you therefore, brethren, by the mercies of God, to present your bodies as a living sacrifice, holy and acceptable to God, which is your spiritual worship. Do not be conformed to this world but be transformed by the renewal of your mind, that you may prove what is the will of God, what is good and acceptable and perfect” (RSV).

Saint Paul is appealing to us by the very mercies of God, so this must be serious stuff indeed. And what is he asking us to do? To present our bodies as living sacrifices: to make of ourselves, even in our bodiliness—“from top to bottom,” one might say—a pleasing sacrifice to the Lord. And he says that if we do this, it counts as our spiritual worship. He could not be clearer in affirming the fundamental unity of man as a creature of body and soul, who worships the Lord as one being, not as a mind doing its own thing and a body left behind to do its own thing. Then, as if to explain further what he means, he says that we must not take on the form of this world, but rather be transformed through those good, acceptable, and perfect things that express God’s will. And this will amount to a re-creation of us, a making new of what has become old, stale, and wretched in our fallen nature: “Behold, I make all things new,” as Jesus says in the Book of Revelation (21:5).

There could not be a teaching more timely and more urgent in our day, when Catholicism has been reduced in its glory and transformative power by decades of facile conformism to the fads and fashions of a secular anti-culture. Nowhere can this be seen more evidently than in the realm of sacred music for the liturgy. Saint Paul’s solemn appeal to give ourselves body and soul to the spiritual worship of God, resolutely turning our backs on this world’s depraved, tawdry, or imperfect offerings, was ignored, even denied, as churches were filled with insipid or heretical lyrics, worldly rhythms, and secular styles.

Thanks be to God, a reversal is beginning to be seen, and a growing number of musicians are taking a different path—one that is genuinely new, with the freshness of the Spirit that hovers over the Church in all ages, not the oldness of the flesh celebrated in the carnal carnival of contemporary society. Centuries of magnificent musical treasures inspired by the Holy Spirit are being newly discovered and sung, in accord with the manifest mind of the Church. And new music worthy of the temple of God is being written—music that strives to be good, acceptable, and perfect, by the high standards of the Sacrifice of Praise.

In every age, the challenge is the same. Christianity should inform culture and transform the world, rather than being informed by the prevailing secular culture and being itself transformed into a second-rate image of the world. We must always be on guard lest the world mould our minds after its image, rather than letting ourselves be renewed in our minds after Christ’s image.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

Recent Posts

  • Music List • (5th Sund. Ordinary Time)
  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”

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