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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In every age, the challenge is the same

Dr. Peter Kwasniewski · January 17, 2013

BIBLE PASSAGE that has always struck me very forcefully is Romans 12:1–2: “I appeal to you therefore, brethren, by the mercies of God, to present your bodies as a living sacrifice, holy and acceptable to God, which is your spiritual worship. Do not be conformed to this world but be transformed by the renewal of your mind, that you may prove what is the will of God, what is good and acceptable and perfect” (RSV).

Saint Paul is appealing to us by the very mercies of God, so this must be serious stuff indeed. And what is he asking us to do? To present our bodies as living sacrifices: to make of ourselves, even in our bodiliness—“from top to bottom,” one might say—a pleasing sacrifice to the Lord. And he says that if we do this, it counts as our spiritual worship. He could not be clearer in affirming the fundamental unity of man as a creature of body and soul, who worships the Lord as one being, not as a mind doing its own thing and a body left behind to do its own thing. Then, as if to explain further what he means, he says that we must not take on the form of this world, but rather be transformed through those good, acceptable, and perfect things that express God’s will. And this will amount to a re-creation of us, a making new of what has become old, stale, and wretched in our fallen nature: “Behold, I make all things new,” as Jesus says in the Book of Revelation (21:5).

There could not be a teaching more timely and more urgent in our day, when Catholicism has been reduced in its glory and transformative power by decades of facile conformism to the fads and fashions of a secular anti-culture. Nowhere can this be seen more evidently than in the realm of sacred music for the liturgy. Saint Paul’s solemn appeal to give ourselves body and soul to the spiritual worship of God, resolutely turning our backs on this world’s depraved, tawdry, or imperfect offerings, was ignored, even denied, as churches were filled with insipid or heretical lyrics, worldly rhythms, and secular styles.

Thanks be to God, a reversal is beginning to be seen, and a growing number of musicians are taking a different path—one that is genuinely new, with the freshness of the Spirit that hovers over the Church in all ages, not the oldness of the flesh celebrated in the carnal carnival of contemporary society. Centuries of magnificent musical treasures inspired by the Holy Spirit are being newly discovered and sung, in accord with the manifest mind of the Church. And new music worthy of the temple of God is being written—music that strives to be good, acceptable, and perfect, by the high standards of the Sacrifice of Praise.

In every age, the challenge is the same. Christianity should inform culture and transform the world, rather than being informed by the prevailing secular culture and being itself transformed into a second-rate image of the world. We must always be on guard lest the world mould our minds after its image, rather than letting ourselves be renewed in our minds after Christ’s image.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

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