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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Richard J. Clark

Richard J. Clark · January 14, 2013

ICHARD J. CLARK is an eclectic musician—composer, conductor, organist, pianist, and songwriter. In 2018, he was named as the Director of Music for the Archdiocese of Boston and choirmaster at the Cathedral of the Holy Cross. He previously served for twenty-eight years as Music Director and Organist at St. Cecilia Parish, where he oversaw a thriving music program and helped develop the Smith and Gilbert Organ of six divisions and fifty-four ranks. He continues as Chapel Organist (Saint Mary’s Chapel) at Boston College, where he has served since 2004. As performer and composer, his appearances include the Church of Saint-Eustache (Paris, France), the Basilica of the National Shrine of the Immaculate Conception (Washington D. C.), Eternal Word Television Network (EWTN), the Celebrity Series of Boston, Fenway Park (historic home of the Boston Red Sox), the New York Songwriters Circle, and Saint Patrick’s Cathedral (New York).

*  PDF Download • Publicity Photo (A)

*  PDF Download • Publicity Photo (B)

The Ministry & Liturgy Magazine has called Mr. Clark’s music “transformative” as well as “expertly arranged and prayerfully sung.” His compositions have been broadcast on radio in New York, New England, and Europe, including Sounds from the Spires with Dr. Jennifer Pascual. In Russia, his organ work Ascent to Freedom was played by American virtuoso Mark Husey and the American Boychoir under the direction of Fernando Malvar-Ruiz. He also appears with his wife, clarinetist Kara Gretschel Clark, on the Cathedral Encores CD featuring the 1875 E. & G.G. Hook, opus 801, at the Cathedral of the Holy Cross. He also appears with trumpeter Richard Kelley in a recording of his Requiem pour une américaine à Paris. His liturgical, choral, and organ works are published by Lorenz/The Sacred Music Music Press, CanticaNOVA Publications, RJC Cecilia Music, Corpus Christi Watershed, and World Library Publications. Mæstro Clark is frequently chosen as presenter at international conferences such as the Sacred Music Symposium and the NPM Annual Convention.

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ORN in Greenwich Village, New York City, Mr. Clark grew up in Long Island at St. William the Abbott Parish. While studying as a chemistry major at New York University, he also studied piano and composition with Justin Dello Joio. He received his Bachelor’s Degree at the Berklee College of Music in 1991 where he studied jazz piano and composition. He studied organ with James David Christie. In 1997 he completed his Master of Music Degree from the Boston Conservatory, and was elected to the National Music Honor Society, Pi Kappa Lambda. He currently lives with his wife and four children in Milton, Massachusetts where they are parishioners at St. Agatha Parish. To reach Richard J. Clark via Email, please click here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Tagged With: Catholic Composers Last Updated: August 20, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Of course, the new [Easter Vigil] liturgy has greatly streamlined the symbology. But the exaggerated simplification has removed elements that used to have quite a hold on the mindset of the faithful. […] Is this Easter Vigil liturgy definitive?”

— Paul VI to Virgilio Noè (10 April 1971)

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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