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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Father David M. Friel

Fr. David Friel · January 10, 2013

EV. DAVID M. FRIEL, STD is a priest of the Archdiocese of Philadelphia, ordained in May 2011. He presently serves as Director of Liturgy at St. Charles Borromeo Seminary in Philadelphia and holds a doctorate in liturgical theology from The Catholic University of America in Washington, DC. He studied philosophy & theology at St. Charles Borromeo Seminary, where he also served as organist, cantor, and liturgical Master of Ceremonies. While there, he studied organ under Dr. Theodore Kiefer. His music has been published by CanticaNOVA Publications, and his Mass in Honor of St. John Neumann is available online through the Creative Commons. Upon ordination, Father Friel served for five years as Parochial Vicar at Saint Anselm Church in Northeast Philadelphia. During that time, he also served several communities of Catholic young adults and coached CYO basketball and volleyball. For several years, he also served as Vocation Director for the Archdiocese of Philadelphia.

Father Friel is a member of the Society for Catholic Liturgy and the Church Music Association of America. Among his research interests are aesthetics, sacred music (particularly sequences), the feast of Christ the King, and twentieth-century liturgical reform. His master’s thesis centered on the Proprium Missae (the chanted propers of the Mass), while, in his licentiate thesis, he studied the origins and theology of the term progressiva sollemnitas (the principle of “progressive solemnity”). His doctoral dissertation explores the liturgical theology of the feast of Christ the King.

Born in Bethlehem, PA, Father Friel grew up in the Archdiocese of Philadelphia at Our Lady of Mt. Carmel Parish. He enjoys climbing mountains, visiting national parks, running, reading, and sports of all kinds. Father Friel lives in Philadelphia and serves a number of area parishes on Sundays and feast days. Father Friel may be contacted via email.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Last Updated: November 27, 2024

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

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  • PDF Download • “Pange Lingua” in Simple (Contemporary) Polyphony for Three Voices

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