Views from the Choir Loft

Advent vs. the Saints

Fr. David Friel · December 14, 2012

DVENT IS MY FAVORITE SEASON. Bar none, I like Advent better than any other liturgical season. I like the waiting, the stillness, the longing anticipation; I like the interplay of light and darkness, hope and anxiety, immanence and apocalypse. Advent, although so brief, is a season filled with rich meaning and sacramental symbols.

I also love the saints. Some years more than others, however, these two loves seem in conflict with each other. This year, for instance, in less than two full weeks of Advent, we’ve already celebrated eight memorials of the saints. Much as I love the saints, it feels at times like we can’t really get into celebrating Advent.

So today I resolved to celebrate in my heart both St. John of the Cross and Advent by finding something that would link them. I found this excerpt from the saints poem, On the Incarnation:

          Men sang songs
          and angels melodies.
          But God there in the manger
          cried and moaned;
          and those tears were jewels
          the bride brought to the wedding.
          The Mother gazed in sheer wonder
          on such an exchange:
          In God, man’s weeping,
          and in man, gladness;
          to the one and the other
          things usually so strange.

What a remarkable reflection! On Christmas morning, for which we now prepare, Christ will be seen sharing in our sorrows in this valley of tears. Perhaps even more fantastically, if we prepare well, we will be seen sharing in the joyous strains of the heavenly choirs. What beneficent surprise!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

How Well Does ICEL Know Latin?

This year, the Feast of Saints Peter and Paul (29 June 2025) falls on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?

—Jeff Ostrowski

Is the USCCB trolling us?

I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.

—Jeff Ostrowski

“Common” Responsorial Psalm?

I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker