Views from the Choir Loft

Archives for November 2012

Fr. David Friel · November 30, 2012

Andrew’s Orations

Why I Love Being a Roman Catholic

Fr. David Friel · November 26, 2012

Vision of the Apocalypse

Perfect Harmony

Fr. David Friel · November 25, 2012

The Underground Church

Long Live Christ the King!

Guest Author · November 19, 2012

Young Catholic Musicians

A guest article by Mr. Gary Penkala.

Jeff Ostrowski · November 19, 2012

Graduale Romanum Chants And The New Roman Missal

The best kept secret of the Second Vatican Council …

Fr. David Friel · November 18, 2012

Will All Men Be Saved?

Hope vs. Certainty

Cynthia Ostrowski · November 17, 2012

Christus Rex Pilgrimage

The Christus Rex Pilgrimage is a three day walking pilgrimage held annually on the traditional feast of Christ the King.

Fr. David Friel · November 16, 2012

First Century Progressives

Really?

Corpus Christi Watershed · November 13, 2012

Chant, Polyphony, and the New Evangelization.

VIDEO: Pope Benedict tells a choir group on pilgrimage in Rome that sacred music can be an effective means of the new evangelization.

Cynthia Ostrowski · November 12, 2012

Latin Mass at the University of Steubenville

Mass in the Extraordinary Form was recently offered at the Franciscan University of Steubenville.

Jeff Ostrowski · November 11, 2012

Folding One’s Hands At Mass

“It is a queer type of mind that actually is interested in knowing whether the deacon should stand at the right or the left of someone else at some moment.” Why would Dr. Fortescue say this?

Jeff Ostrowski · November 8, 2012

The Greatest Blog Entry Ever Of All Time

Edwin Fischer was considered the greatest Swiss pianist. I believe Alfred Cortot was also Swiss, but most people considered him French.

Fr. David Friel · November 4, 2012

Right Priorities

Public & Private

Jeff Ostrowski · November 3, 2012

[Book] Benedict XVI And Beauty In Sacred Music

This book looks like it would make a wonderful Christmas gift!

Jeff Ostrowski · November 2, 2012

Liturgy And Our Television Age

Have you noticed that absolutely everything is shown on television these days?

“Music List” • 6th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.

—Jeff Ostrowski

“Gloria in Spanish” • Free Accompaniment

Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!

—Jeff Ostrowski

How Well Does ICEL Know Latin?

This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)