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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Ephphetha

Fr. David Friel · September 14, 2012

I vividly remember the first Baptism I ever performed. I had been ordained a transitional deacon just a week or two earlier, and I was scheduled to baptize one child that day. It was at Our Lady of Mt. Carmel Church in Doylestown, the parish where I was raised, and the baby’s name was going to be “DYLAN.” Fortunately for me, I realized about three minutes before the Baptism began that DYLAN . . . was a girl!

I remember that Baptism so vividly because, to be honest, it was only the second Baptism I ever attended, other than my own. I’m the youngest of four children, my only niece so far was born just last year, and I didn’t grow up with any younger cousins. So, since I was really the youngest in the family, I never had any occasion to go to a Baptism.

One of the prayers in the Baptismal ritual that has struck me ever since that day is an option right at the end of the ceremony. The prayer says this: “The Lord Jesus made the deaf hear and the dumb speak. May He soon touch your ears to receive His Word, and your mouth to proclaim His faith, to the praise and glory of God the Father.” As the priest (or deacon) prays that prayer, he touches his thumb to the baby’s lips and ears. (I remember that vividly, too, because DYLAN tried to bite my thumb!) What a beautiful prayer this is, symbolically asking that the senses of the child might be open to receive the Gospel message.

Obviously, this prayer has its roots in the healing story of Mark, chapter 7, which we heard on Sunday. In fact, the prayer is even called the Ephphetha prayer, after the Hebrew word Jesus uttered to command the senses of the deaf-mute man to “be opened.” Is this an amazing miracle? Certainly. But the story is about much more than just the physical healing of one deaf-mute man. It is a story that concerns every one of us. But, “We’re not deaf and mute,” we might protest. Or are we?

For sure, there are times when we wish we were deaf. Every time I hear the song, Call Me Maybe, I wish I was deaf! But, are there times we actually are—really, truly—deaf?

We may be basically good, church-going people, but it’s probably true of all of us that we can sometimes be deaf to the needs of those around us.
• Are we as husbands and fathers sometimes deaf to our wives and children and their need for our strength & compassion?
• Are we as wives and mothers sometimes deaf to our husbands and children and their need for affirmation & affection?
• Are we as children sometimes deaf to the simple requests of our parents and teachers?
• Can all of us turn a deaf ear to the in-laws & crazy cousins & chatty neighbors who bother and frustrate us, rather than extending a listening ear?
• Perhaps we like to be deaf to the poor around us—the homeless folks we drive by, the immigrants we see on TV, and the aging parents we choose not to visit.

In addition to our deafness, I suspect there are ways we all allow ourselves to become mute.
• It can be as simple as the famous scene in the cafeteria, in this first week of school: do we extend an invitation to the loner to sit at our table?
• Are we quick to give compliments, or do we hold back our praise?
• We’ve learned so much this past year about the scandal and destruction that comes from being silent about abuse, rather than doing the right thing and speaking up.
• Do we have the courage to take a public stand against injustices like abortion and euthanasia and same-sex partnerships?
• Maybe someone in our family struggles with addiction, but we just can’t get up the gumption to confront them, and instead we become a mute enabler.

Our Blessed Lord wants us to know that to be physically deaf or physically mute is not some arch-evil. I’ve known several people who are deaf or mute or blind, and I know they would testify that they live very happy and fulfilling lives. The far greater tragedy is when we allow our hearts to be deaf and our consciences to be muted.

As the minister prayed over us on the day of our own Baptism: May the Lord Jesus touch our ears to receive His Word and our mouths to proclaim His faith, to the praise and glory of God the Father!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Rarely indeed,” asserted Pope Benedict XV (2 October 1921), “has the idealism of art and the glory of the faith been joined in such perfect harmony” as in the works of Palestrina and fellow polyphonists.

— Quoted by Gerard Ellard SJ (Church history professor at St. Mary’s College, KS)

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