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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Ephphetha

Fr. David Friel · September 14, 2012

I vividly remember the first Baptism I ever performed. I had been ordained a transitional deacon just a week or two earlier, and I was scheduled to baptize one child that day. It was at Our Lady of Mt. Carmel Church in Doylestown, the parish where I was raised, and the baby’s name was going to be “DYLAN.” Fortunately for me, I realized about three minutes before the Baptism began that DYLAN . . . was a girl!

I remember that Baptism so vividly because, to be honest, it was only the second Baptism I ever attended, other than my own. I’m the youngest of four children, my only niece so far was born just last year, and I didn’t grow up with any younger cousins. So, since I was really the youngest in the family, I never had any occasion to go to a Baptism.

One of the prayers in the Baptismal ritual that has struck me ever since that day is an option right at the end of the ceremony. The prayer says this: “The Lord Jesus made the deaf hear and the dumb speak. May He soon touch your ears to receive His Word, and your mouth to proclaim His faith, to the praise and glory of God the Father.” As the priest (or deacon) prays that prayer, he touches his thumb to the baby’s lips and ears. (I remember that vividly, too, because DYLAN tried to bite my thumb!) What a beautiful prayer this is, symbolically asking that the senses of the child might be open to receive the Gospel message.

Obviously, this prayer has its roots in the healing story of Mark, chapter 7, which we heard on Sunday. In fact, the prayer is even called the Ephphetha prayer, after the Hebrew word Jesus uttered to command the senses of the deaf-mute man to “be opened.” Is this an amazing miracle? Certainly. But the story is about much more than just the physical healing of one deaf-mute man. It is a story that concerns every one of us. But, “We’re not deaf and mute,” we might protest. Or are we?

For sure, there are times when we wish we were deaf. Every time I hear the song, Call Me Maybe, I wish I was deaf! But, are there times we actually are—really, truly—deaf?

We may be basically good, church-going people, but it’s probably true of all of us that we can sometimes be deaf to the needs of those around us.
• Are we as husbands and fathers sometimes deaf to our wives and children and their need for our strength & compassion?
• Are we as wives and mothers sometimes deaf to our husbands and children and their need for affirmation & affection?
• Are we as children sometimes deaf to the simple requests of our parents and teachers?
• Can all of us turn a deaf ear to the in-laws & crazy cousins & chatty neighbors who bother and frustrate us, rather than extending a listening ear?
• Perhaps we like to be deaf to the poor around us—the homeless folks we drive by, the immigrants we see on TV, and the aging parents we choose not to visit.

In addition to our deafness, I suspect there are ways we all allow ourselves to become mute.
• It can be as simple as the famous scene in the cafeteria, in this first week of school: do we extend an invitation to the loner to sit at our table?
• Are we quick to give compliments, or do we hold back our praise?
• We’ve learned so much this past year about the scandal and destruction that comes from being silent about abuse, rather than doing the right thing and speaking up.
• Do we have the courage to take a public stand against injustices like abortion and euthanasia and same-sex partnerships?
• Maybe someone in our family struggles with addiction, but we just can’t get up the gumption to confront them, and instead we become a mute enabler.

Our Blessed Lord wants us to know that to be physically deaf or physically mute is not some arch-evil. I’ve known several people who are deaf or mute or blind, and I know they would testify that they live very happy and fulfilling lives. The far greater tragedy is when we allow our hearts to be deaf and our consciences to be muted.

As the minister prayed over us on the day of our own Baptism: May the Lord Jesus touch our ears to receive His Word and our mouths to proclaim His faith, to the praise and glory of God the Father!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

I basically don’t favor Cardinal Kasper’s proposal; I don’t think it’s coherent. To my mind, “indissoluble” means “unbreakable.”

— Daniel Cardinal DiNardo (19 October 2015)

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