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Views from the Choir Loft

Arbeit Macht Frei

Fr. David Friel · September 4, 2012

I had the opportunity once to visit a Trappist monastery. The Trappists are members of the Cistercian order—a very strict group cloistered contemplative monastics, who follow a well-ordered regimen of life.

They come to chapel seven times a day to pray. In between their periods of prayer, they go about their work. Some of the monks work in the kitchen, others in the fields. Some of them make clothes or bread or candy or other things that could be sold to support the monastery. This is the difference between monks and friars; whereas friars beg for their sustenance, monks support themselves by the work of their hands. They put into practice St. Paul’s words to the Thessalonians: “We urge you, brothers . . . to work with your own hands” (1 Thes 4:10-11). In my short visit, I found the Trappist way of life to be a very healthy and beautiful balance of prayer and work.

This week’s secular holiday of Labor Day was created in the late 1800’s to celebrate the economic and social contributions of workers. There is surely much to be admired in good, honest work and in those who make a living by manual labor. Yet, at the same time, we Christians must be careful that work never becomes an idol for us. Especially as Americans, it’s easy for us to get on the hamster wheel of life by just working & working & working without end. But, contrary to the signs that hung above the gates of several concentration camps, work, alone, does not set us free. Only Christ can truly set us free.

So this is the key: We must introduce Christ into our labors. We must offer our labors to Him. Whether we are laborers or executives or students or retirees, all of us have the power to offer our daily tasks to God. That’s when the prayerful, stirring words of Psalm 90 start to transform us: “Lord, give success to the work of our hands” (Psalm 90:17b).

When we offer it to God, our work takes on incredible new value. This was the secret I observed at that Trappist monastery: work united with prayer (ora et labora) leads to a wonderful balance of life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“As often as possible they gathered together the children of the village and sat them down in the cabin. Father Brébeuf would put on a surplice and biretta and chant the Our Father, which Father Daniel had translated into Huron rhymes, and the children would chant it after him. Next, he taught them the sign of the cross, the Hail Mary, the Apostles’ Creed, and the Commandments.”

— Biography of St. Jean de Brébeuf

Recent Posts

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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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