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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Response to the Flood

Fr. David Friel · March 1, 2012

When the world seemed lost and gone too far astray, God brought mankind back by means of the great flood. Two-by-two, representatives of every creature had to pile onboard the ark to be saved.

Even now, God uses the same mechanism to bring us back. From the earliest Christian centuries, the great saints and Fathers have always seen in the ark a symbol of the Church. Indeed, now, in our times, we must all pile onboard the ark of the Church to be saved.

Although we can never be baptized again, God empowers His Church with another Sacrament that can bring us back from the evil and sin that still persists in our lives. God offers us the Sacrament of Penance so that, “through the ministry of the Church,” we may be kept safe from the floodwaters that surround us.

This Lent, let’s get on board. Let’s make use of the Sacrament of Reconciliation. Let’s climb aboard the ark of the Church. Waves are coming, I assure you. As a priest of Philadelphia, I know well that the tide is rising and, before this Lent is over, we will be surrounded by many floods. But the solution is not to break free—to somehow try to make a go of it on our own, jumping ship in the hope of finding our way to some illusory island of refuge.

Doing that, we are destined to drown. The real solution, as always, is actually to step closer to the heart of the Church. The Church, after all, is not just some incorporation founded by men. The Church is our Mother, given to us by Christ, Himself. The Church is the Ark of our salvation! This is what it means to believe that extra ecclesia nulla salus (“outside the Church, there is no salvation”). It was the ark that spared Noah from the flood; it was Baptism that spared us from original sin; and it is confession that spares us from our personal sins. Apart from Christ & His Church, we are nothing but hapless sinners.

Perhaps each of us could reach out to someone we know who has somehow become disenfranchised from the Church and invite them to come onboard with us. Even today, thousands of years after the flood, it’s still easier to go two-by-two than to do it alone.

God’s promise to Noah was that “the waters shall never again become a flood to destroy all mortal beings” (Genesis 9:15). How similar are Christ’s words to Peter: “Upon this rock, I will build My Church, and the gates of the netherworld shall not prevail against it” (Matthew 16:18). From another angle, Bishop Sheen once reflected that “there are not more than 100 people in the world who truly hate the Catholic Church, but there are millions who hate what they perceive to be the Catholic Church.”

This Lent, let’s fall in love with the Church for Who She really is. She is not a sinking ship. She is the Ark of our salvation.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“How can we account for differences in the Gospel accounts? Well, suppose after we left Church today, there was a terrible accident or explosion or fire. Soon the news media would be here, interviewing people as to what they saw or heard. Each person would probably say or report what struck him—or what he saw or noticed. All these reports would be different and yet they would be true.”

— Fr. Valentine Young (February 2019)

Recent Posts

  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches

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