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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mother Mary

Fr. David Friel · January 2, 2012

As a young priest, I have lots of priest heroes—men I’ve known throughout the course of my life who’ve made an impact on my life and my faith. Some of those priests are young, some are old; some are learned, some are simple; but all of them, I think, are wise.

There’s one priest, in particular, whom I respect very much. He’s the sort of guy I’ve called to ask advice from time to time over the last seven months when a really difficult situation has come my way.

I remember him telling me once about his mother, whom he took care of for the last five years or so of her life. When she died, he felt a paralyzing sense of loss. His father had died years before, and now he had lost his mother, too. He didn’t know what to do, so he began to pray, like his mother had taught him, the rosary. He would pray it every day.

Gradually, over the course of a few months, he began to realize something: while his earthly mother may have died, he had a mother in heaven. He told me that, by praying the rosary, he realized for the first time in a deep, heartfelt way that Mary was, indeed, his mother. In fact, all along life’s way, he had never once been without a mother!

What this priest friend of mine discovered is beautiful, but none of us need to go through the same process to come to that same knowledge. Mary is our Mother in heaven, too, whether our human mothers are alive or not. She is, as this Church celebrates with this solemnity every January 1st, the Mother of God. She is, as the Ave Maria declared, the Mater Dei. But Mary is also our Mother. We must become convinced of that, not in a theoretical way, but in a deep, heartfelt way!

When Christ was dying on the cross, He said to Mary, “Woman, behold your son.” And to the Beloved Disciple, He said, “Behold your Mother.” That same exchange is meant not only for the Beloved Disciple, but for all of us as “beloved disciples.”

The next line in the Gospel of the crucifixion is explosive. It tells us that, “from that hour on, the disciple took her into his home.” That command is as much for us as it was for the Beloved Disciple! Jesus wants us to welcome His mother—our Mother—into our homes and into our hearts.

What a beautiful resolution it would be if all of us committed to getting to know our Blessed Lady a little bit better this year. We could pray her rosary. We could read a book about her.
We could visit a shrine erected in her honor.

We have a Mother in heaven who is anxious to receive our affection. In the face of all the trials that are sure to come, may this New Year be one that is filled with hope & peace & joy for each of you and your families.

May you welcome into your homes Mary, who is the Mother of God and the Mother of us all.
And may she truly be for us “our life, our sweetness, and our hope!”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

The Second Plenary Council of Baltimore (Tit. VI, Cap. iii, 379) did order that Vespers be sung, and in their entirety, in all churches on Sundays and feast days and that Vespers be not omitted on account of other services. However, the Fathers of the Council inserted the clause, “quatenus fieri potest,” in consideration of practical difficulties in the carrying out of the decree.

— The American Ecclesiastical Review (Febr. 1949)

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  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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