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Views from the Choir Loft

Favorite Scripture Passage?

Fr. David Friel · December 27, 2011

I’ve often been asked what my favorite Scripture passage is. It’s an impossible question. Quite frankly, I don’t have an answer. I perhaps have a favorite passage from each book of the Bible, but certainly not one from the entire Sacred Scriptures. Who could pick just one?

A strange thought occurred to me early this morning, however. The unlikely suggestion of Luke, chapter 1 came spontaneously and uninvited to my mind. Think of all the extraordinary words crammed into that one, single chapter!

A marvelous introduction; the story of Zechariah & Elizabeth; the Annunciation; the Visitation; the Magnificat; the nativity of John the Baptizer; and the Benedictus.

What a table of contents! These are exceptional texts—stories & prayers & characters that have given shape to our very salvation. The Benedictus and Magnificat, in particular, are prayers that, as a priest, I pray every single day. (The Benedictus is the canticle traditionally prayed in the Divine Office at Lauds, and Mary’s Magnificat is sung at Vespers.)

There is no question that I love Luke 1. It boasts no shortage of money lines, as well as a most beautiful cohesion. It may be eighty separate verses, but it’s a chapter that should be in the running with the other fifty-or-so passages that vie for the appellation “favorite” in my book.

Especially in this Christmas season, how good it would be for us to return to this chapter—the first chapter in the only Gospel that relates the birth of our Blessed Lord. With all of its eighty verses, it could give us sufficient material for our private lectio divina to last us until the feast of the Baptism of the Lord. And, for that, there’s Luke, chapter 3!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“What matters is to prefer God to all else; to be ready to sacrifice all, rather than commit one sin.”

— Cardinal Merry Del Val (shortly before his death)

Recent Posts

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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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