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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fear & Trembling

Fr. David Friel · October 26, 2011

I very happily teach sixth grade CCD at my parish. My approach to the (somewhat absurd) task of covering 3500 years of Old Testament history in a single semester is to highlight one major story and one major character each week. This past week, we studied the Sacrifice of Isaac and the character of Abraham.

We read the story together from the Bible (Gen 22:1-19). As usual, I wondered if they were struggling with comprehension as we went along. All such doubt was removed, however, when we reached verse 10: “Then Abraham reached out and took the knife to slaughter his son.” They gasped. They got it. My students had understood quite well the horror of the scene.

The dreadfulness of Abraham’s plight was a source of fascination for the existentialist philosopher Søren Kierkegaard (1813-1855). Kierkegaard’s work, Fear and Trembling, is an attempt to comprehend the anxiety that must have gripped our “Father in Faith.” A man—who had waited many decades to become a father—is asked to take his beloved son and slaughter him in sacrifice. This is the ultimate test of faith, a super-dramatic experiment with one man’s free will.

We went on in class to finish the story. We tried to understand it. We tried to step into Abraham’s shoes. They asked me what I would do in that situation. The point of the story, we agreed, was never to accomplish Isaac’s death; it was always to test Abraham’s faith. As his descendants in salvation history, we should certainly be grateful that he passed the test.

In the end, we must concede that what Abraham was willing to do on Mount Moriah was extraordinary. But what God the Father actually did on Mount Calvary is infinitely greater.

“He did not spare His own Son, but gave Him up for us all” (Rom 8:32).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

When Christ gave the bread, he did not say, “This is the symbol of my body,” but, “This is my body.” In the same way, when he gave the cup of his blood he did not say, “This is the symbol of my blood,” but, “This is my blood.”

— Theodore, Bishop of Mopsuestia, writing in the 5th Century

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  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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