Views from the Choir Loft

Choir of Sainte Marie • “THE GREAT WEEK”

Corpus Christi Watershed · March 14, 2005

You are also responsible for learning
the PALESTRINA ALLELUIA:
26561 • “Alleluia for SATB” • PDF Score (Singer)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

Music list: Palm Sunday
Music list: Holy Thursday
Music List: Good Friday
Music List: Easter Sunday
Reminder: the “feasts website” is https://www.ccwatershed.org/feasts/

Holy Thursday:
call time for men & women = 6:15pm

Women must learn the fantastic Introit for Holy Thursday:
ENTRANCE CHANT SCORE • rehearsal video

Innsbruck Tune:
Men and women must learn:
O Esca Viatorum (“O Food the pilgrim needeth”)
Learn the SATB parts by using the score below.
The one marked “Innsbruck.”

Good Friday:
call time for men = 2:15pm
call time for women = 3:00pm (When the ceremony itself begins)

Men must learn:
Musical Score • rehearsal video

Innsbruck Tune # 334:
Men and women must learn:
Crux Fidelis (a.k.a. “Pange Lingua Gloriosi”)

Holy Saturday:
The full choir has no responsibilities for the Easter Vigil.
Rehearsal at the choir director’s home in Muskegon 10:30am, and “potluck” afterwards.
495 S. Getty St
Muskegon, MI 49442

Easter Sunday:
Call time = 9:00am

Full choir is responsible for learning the Easter Sunday Sequence.
The singers’ score is on page 3 of that PDF file.
You should listen to this rehearsal video.

You are also responsible for learning
the PALESTRINA ALLELUIA:
26561 • “Alleluia for SATB” • PDF Score (Singer)

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

You are also responsible for learning GLORIA iii:

* PDF Download • VOCALIST SCORE

Here’s the direct URL link.

Mp3 version of Gloria iii

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

A Nice Hymn In Spanish

In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.

—Jeff Ostrowski

“Music List” • 21st in Ordinary Time (Year C)

Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.

—Jeff Ostrowski

“Entrance Chant” • 21st Sunday Ordin. Time

You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.

—Jeff Ostrowski

Solemn “Salve Regina” (Chant)

How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).

—Corpus Christi Watershed

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

To end an impropriety, noticed particularly at orchestral Vespers, when two or three Psalms are sung with full orchestra, and then the other Psalms and the Hymn are rapidly hurried through with organ accompaniment only […] we order that at Mass all portions of the text, including “Agnus Dei,” be sung with orchestral accompaniment. […] Moreover, the musicians are not allowed to put the instruments away and leave their places before the conclusion of the sacred function.

— Cardinal Patrizi (18 November 1856)