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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Gratuity of Beauty

Fr. David Friel · November 9, 2019

INE YEARS ago, in November 2010, Pope Benedict XVI traveled to Barcelona to dedicate the extraordinary Sagrada Familia Basilica. The Holy Father’s homily for the occasion was equally extraordinary. He said at that time: “Beauty . . . reveals God because, like Him, a work of beauty is pure gratuity.”

What a line for meditation: A work of beauty is pure gratuity.

A project of the great architect Antoni Gaudi, Sagrada Familia was granted the status of a minor basilica at the time of its dedication in 2010. The history of the basilica’s founding and development is fascinating, spanning at this point more than five generations. Its physical construction, which began in 1882, is scheduled to be completed in 2026.

Today, we celebrate the dedication of the Basilica of St. John Lateran, which is the mother church of the universal Church. Most of us are not able to be in the Lateran Basilica today, but we join in the celebration because we are in union with our Holy Father, whose cathedral it is. Many people would think it funny that Catholics celebrate the dedication of a building centuries-old and (for many people) thousands of miles away. They would also think it funny that so much time and money has been spent on Sagrada Familia.

But ours is an Incarnational faith, and so we see value in art and beauty. Beauty is certainly found in unadulterated creation, but God also takes especially great delight in what we fashion out of His creation. He enjoys the beauty of things that the Earth has provided and that human hands have shaped.

The beauty of our churches and chapels is, indeed, gratuitous. But, of course, God’s love for us is gratuitous; His mercy is gratuitous; the fact that we even exist is gratuitous. That beauty is also gratuitous does not mean we ought not to bother with it. Instead, we should consider how the very gratuity of beauty, paradoxically, makes it so necessary.

OTHER TERESA of Calcutta famously encouraged us to “do something beautiful for God.” Today, let’s do something gratuitous for God. We, who are “temples of the Holy Spirit” (1 Cor 6:19), become more beautiful and more pleasing to God precisely by our gratuitous acts of charity. Cultivating beauty in our lives may not mean the building of a basilica like Gaudi’s, but it could well begin with imitating God, Himself, “who gives generously and ungrudgingly to all” (James 1:5).

Whenever we come to church, we must prepare our hearts to be as beautiful as we expect this church to be. Do you wish to find this basilica immaculately clean? Then do not soil your soul with the filth of sins. Do you wish this basilica to be full of light? God, too, wishes that your soul be not in darkness, but that the light of good works shine in us, so that He who dwells in the heavens will be glorified. Just as you enter this church building, so God wishes to enter into your soul, for He promised: “I shall live in them, and I shall walk the corridors of their hearts.”

— St. Caesarius of Arles (470-542)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty, Pope Benedict XVI, Sacred Architecture Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.

— ‘His Holiness, Pope Benedict XVI (7 July 2007)’

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.