• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Leo XIII to St. Katharine Drexel: “What about you?”

Fr. David Friel · March 3, 2019

Y FRIENDS and I were participating in a weekend campout/retreat for Catholic Boy Scouts on October 1, 2000, when Mother Katharine Drexel was canonized. Growing up around Philadelphia, I had already known the basics of this extraordinary woman’s life, but we learned more about her during that retreat.

Fast forward nearly two decades, and I am still impressed by Mother Katharine’s profound love for the Holy Eucharist, the generosity of her spirit, and the boldness of her witness to the Gospel.

For five years, I lived at a Northeast Philly parish only a few minutes from her original burial site, the motherhouse of the Sisters of the Blessed Sacrament, which she founded. That gave me the opportunity to visit her fairly frequently, often requesting favors for family and friends.

Today (March 3) is her feast day, and this year marks her first feast day at her new burial site, in the Cathedral Basilica of Ss. Peter & Paul. The cathedral parish and choir have planned special celebrations to mark the occasion.

NE OF THE MOST famous aspects of Mother Katharine’s life is the story of how she decided to enter religious life. Born into an exceedingly wealthy family of prominent Philadelphia bankers, Katharine travelled extensively as a child and young woman. These experiences gave her a particular sympathy for the missions and the work of spreading the Gospel to all peoples, and she became a financial supporter of various missions to Native Americans.

On a trip to Rome in 1887, she and her blood-sister were granted an audience with Pope Leo XII, from whom they requested missionaries to work in the apostolates they were financing. Much to Katharine’s surprise, the pope suggested that she should become a missionary, herself. That, of course, is precisely what the heiress did, entering the convent and eventually establishing her own order, rooted in prayer before the Blessed Sacrament and dedicated to the evangelization of Native Americans and African Americans.

More than three years ago, Pope Francis visited Philadelphia for the 2015 World Meeting of Families. Of all the talks given during the course of those days, my favorite was the Holy Father’s homily at the Mass offered in our cathedral that Saturday morning. His homily centered entirely on the life of St. Katharine Drexel, and he used her encounter with Pope Leo XIII as a recurring challenge.

In honor of today’s feast, excerpts of this homily are reprinted here:

HEN  [Mother Katharine]  spoke to Pope Leo XIII of the needs of the missions, the Pope—he was a very wise Pope!—asked her pointedly: “What about you? What are you going to do?” Those words changed Katharine’s life, because they reminded her that, in the end, every Christian man and woman, by virtue of baptism, has received a mission. Each one of us has to respond, as best we can, to the Lord’s call to build up his Body, the Church.

“What about you?” I would like to dwell on two aspects of these words in the context of our specific mission to transmit the joy of the Gospel and to build up the Church, whether as priests, deacons, or men and women who belong to institutes of consecrated life.

First, those words—“What about you?”—were addressed to a young person, a young woman with high ideals, and they changed her life. They made her think of the immense work that had to be done, and to realize that she was being called to do her part. How many young people in our parishes and schools have the same high ideals, generosity of spirit, and love for Christ and the Church! I ask you: Do we challenge them? Do we make space for them and help them to do their part? To find ways of sharing their enthusiasm and gifts with our communities, above all in works of mercy and concern for others? Do we share our own joy and enthusiasm in serving the Lord?

One of the great challenges facing the Church in this generation is to foster in all the faithful a sense of personal responsibility for the Church’s mission, and to enable them to fulfill that responsibility as missionary disciples, as a leaven of the Gospel in our world.

[ . . . ]

“What about you?” It is significant that these words of the elderly Pope were also addressed to a lay woman. We know that the future of the Church in a rapidly changing society will call, and even now calls, for a much more active engagement on the part of the laity. The Church in the United States has always devoted immense effort to the work of catechesis and education. Our challenge today is to build on those solid foundations and to foster a sense of collaboration and shared responsibility in planning for the future of our parishes and institutions. This does not mean relinquishing the spiritual authority with which we have been entrusted; rather, it means discerning and employing wisely the manifold gifts which the Spirit pours out upon the Church. In a particular way, it means valuing the immense contribution which women, lay and religious, have made and continue to make, in the life of our communities.

Dear brothers and sisters, I thank you for the way in which each of you has answered Jesus’ question which inspired your own vocation: “What about you?” I encourage you to be renewed in the joy and wonder of that first encounter with Jesus, and to draw from that joy renewed fidelity and strength. 1

HE CATHEDRAL Basilica in Philadelphia will be the site of the 29th annual Sacred Music Colloquium, sponsored by the CMAA (registration open here). In addition to a week of “musical heaven,” participants will have the opportunity to pray at the tomb of St. Katharine Drexel.

May the example of this saintly woman inspire us to recognize and to love the Lord’s presence more deeply, both in the Most Blessed Sacrament and in our brothers and sisters.

The Eucharist is a never-ending sacrifice.
It is the Sacrament of love, the supreme love, the act of love.

— Saint Katharine Drexel (1858-1955)




NOTES FROM THIS ARTICLE:

1   Reprinted from the Vatican website.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Evangelization, Pope Francis Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Indeed, we may not hope for real Latin poetry any more, because Latin is now a dead language to all of us. However well a man may read, write, or even speak Latin now, it is always a foreign language to him, acquired artificially. It is no one’s mother tongue. Does a man ever write real poetry in an acquired language?”

— Rev’d Adrian Fortescue (d. 1923)

Recent Posts

  • “Reminder” — Month of Febr. (2026)
  • Seminary Music Directors Gather in Houston
  • 💲 5.00 💵
  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.