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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Woman of No Distinction” World Premiere

Richard J. Clark · February 22, 2019

HRIS KINSELY wrote a landmark poem in 2006 about the Samaritan woman at the well and her encounter with Jesus. What makes this poem unique is its perspective: written entirely from the point of view of the Samaritan woman. This poem has much to teach us today. (See the poem below.)

Jennifer Lester, Director of The Seraphim Singers, asked me to compose a work When I saw the text, I thought “This is the poem.” It was an honor and privilege to composer on this work and this topic. (Liturgically notable is the role the Samaritan Woman plays in Lent, and in particular the First Scrutiny for Catechumens seeking full reception into the Church.)

In Orthodox and Eastern Catholic traditions, the Samaritan woman at the well is revered as a saint and considered “equal to the apostles.” Witnessing to the truth of Christ, she was martyred during the persecutions of the Emperor Nero.

I ASKED SOPRANO Anna Ward to be the “voice” of the Samaritan Woman. She adds her superlative artistry and perspective to this work!

* *  YouTube • A conversation with Lester, Ward, and Clark about the work and what it has to say to us today.

IF YOU ARE IN THE BOSTON AREA be sure not to miss this premiere as part the Seraphim Singer’s “Women’s Perspectives.” This concert will present works exploring the voices of women as composers, subjects, storytellers, and poets.. There will be two performances:

Friday, Friday, March 1, 2019, 8:00pm
St. Cecilia Parish, 18 Belvidere St., Boston, MA

Sunday, March 3, 2019, 3:00pm
First Church (Congregational) 11 Garden St., Cambridge, MA

Tickets: $22 General Admission / $18 Students & Seniors online or $25/20 at the door
• Tickets are available at the door or purchase online here
• Download the concert poster here

Hope to see you there!

WOMAN OF NO DISTINCTION
By Chris Kinsley

I am a woman of no distinction
of little importance.
I am a woman of no reputation
Save that which is bad.

You whisper as I pass by and cast judgmental glances,
Though you don’t really take the time to look at me,
Or even get to know me.

For to be known is to be loved,
And to be loved is to be known.
Otherwise what’s the point in doing
either one of them in the first place?

I want to be known
I want someone to look at my face
And not just see two eyes,
a nose, a mouth and two ears;
But to see all that I am, and could be
all my hopes, loves and fears.

But that’s too much to hope for,
to wish for,
or pray for
So I don’t, not anymore.

Now I keep to myself
And by that I mean the pain
That keeps me in my own private jail
The pain that’s brought me
Here at midday to this well.

To ask for a drink is no big request
But to ask it of me?
A woman unclean
Ashamed, used and abused
An outcast, a failure
A disappointment, a sinner.

No drink passing from these hands
To your lips could ever be refreshing
Only condemning
As I’m sure you condemn me now
But you don’t.

You’re a man of no distinction;
Though of the utmost importance.
A man with little reputation, at least so far.

You whisper and tell me to my face
What all those glances have been about
And you take the time to really look at me.
But don’t need to get to know me.

For to be known is to be loved and
To be loved is to be known.

And you know me.
You actually know me;
All of me and everything about me.
Every thought inside and hair on top of my head;
Every hurt stored up, every hope, every dread.
My past and my future, all I am and could be.
You tell me everything,
You tell me about me!

And that which is spoken by another
Would bring hate and condemnation.
Coming from you brings love, grace,
Mercy, hope and salvation.

I’ve heard of one to come
Who could save a wretch like me
And here in my presence,
You say, “I am he.”

To be known is to be loved;
And to be loved is to be known.

And I just met you.
But I love you.
I don’t know you,
But I want to get to.

Let me run back to town
This is way too much for just me.
There are others
Brothers, sisters, lovers, haters.
The good and the bad, sinners and saints
Who should hear what you’ve told me;
Who should see what you’ve shown me;
Who should taste what you gave me;
Who should feel how you forgave me.

For to be known is to be loved;
And to be loved is to be known.
And they all need this, too.
We all do
Need it for our own.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“We must strip from our Catholic prayers and from the Catholic liturgy everything which can be the shadow of a stumbling block for our separated brethren—that is, for the Protestants.”

— Monsignor Annibale Bugnini (March, 1965) in L’Osservatore Romano

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  • “Dies Irae” • A Monstrous Translation

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