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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Of Estate Sales, Prayers, and Mass Attendance

Dr. Alfred Calabrese · July 4, 2018

88359 precis ENJOY going to estate sales. You can find some amazing things at estate sales, everything from lamps to lawnmowers and furniture to fine art. But what I’m most interested in are books. Specifically, I’m on the lookout for Classic literature and books on the Catholic faith.

A book I found recently has become one of my favorites. Perhaps some of you know it. It’s called Blessed Be God: A Complete Catholic Prayer Book, published in 1925. This book has been reprinted and is available on line. I was thrilled that I found an original edition, complete with the leather cover still pretty much intact.

I’ll admit, I’d never heard of this book, and many of the prayers, novenas, and devotions were unknown to me. As I’ve read through this book, it has struck me how many of these prayers talk about death. By that I mean, they bring into focus that we’re all going to die, it’s probably not going to be fun, and there’s no guarantee we’ve got an express ticket to heaven. Things like mercy, release from Purgatory, relief from death’s agony, and the assistance of the angels and saints are ideas scattered all throughout this prayer book. Even the rubrics remind us of mortality. Here is an excerpt from the introduction to Evening Prayers:

Each night may be our last one here below.
We should think of this when saying our evening prayers.

Well that gets right to the point, doesn’t it? To be fair, the book isn’t only about death. It’s actually a primer on how to live as a Catholic Christian, with beautiful prayers and devotions for every aspect of life, from morning to night, and all throughout the year.

I started to realize how precious little time we spend thinking about these things any longer, and I began to wonder if this isn’t one of the reasons we have decades of declining Mass attendance, fewer priestly vocations, and plenty of nominal or cultural Catholics. It makes sense to me, at least, that if you quit thinking you need the Church and her rich prayer life to get to heaven, then why bother going to Mass?

When I was a kid in the 60’s and 70’s (which is probably why I never learned these prayers), we were told that people were leaving the Church because it focused too much on sin and death. So the Church became happy and clappy. Prayer books like these went into closets and bookshelves to gather dust and be forgotten. Maybe if we focused on what the Church really teaches about how to obtain eternal life, people would feel compelled to return to the Holy Mass. And I wonder how we can re-introduce our sisters and brothers to these rich and timeless verses. But I’m sure this book has a prayer for that.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

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