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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Saving the Church, One Choir at a Time

Dr. Alfred Calabrese · August 29, 2018

87756 alfred calabrese IS THE SEASON for choirs that have been on summer hiatus to begin work anew. This year, for the first time ever, I decided to begin our season’s work after Labor Day, never realizing last June when I made that decision how welcome these extra few weeks would be. Welcome, because it’s been hard to digest all the awfulness that’s been going on in our Catholic world, hard to know how to answer the inevitable questions that will come from choir members, those eager to know how “I feel” about this or that. I’ll tell them, of course, that I feel mostly likely just as they do—scandalized, angry, discouraged, fed-up, (did I say angry?). Many will have shed tears. Where’s the good news in all of this?

If you have, like I do, an enlightened and thoughtful pastor, then you’ll have some hope. Mine has talked to us about the strength of the parish, the sanctity of the small community. I believe it. It’s the parish, each exercising its own little “Benedict Option” that will save the Church. And it can start with our choirs. Do not be fooled into thinking there is nothing we can do, lowly church musicians that we may be. We have the power because we’re on the ground, in the parishes. We have credibility. Now is not the time to sit idly by and wring our hands. Now is the time for action. Here are three things you can do with your choir to save the Church.

Sing music of the true faith, both ancient and newly composed.

We have at our disposal a treasure trove of truth and beauty, of tradition and sanctification. The beauty which formed the great saints of old is still ours today. Pope Paul VI said, “The smoke of Satan has entered the Church of God.” And yet, each week we give form to true words and truer faith, to music composed for the ancient and beautiful worship of God. With our collective choral inspirations and exhalations, we can cut through that fetid smoke and drive it away.

Pray with your choir.

Begin and end each rehearsal with prayer. Pray upon entering the church and before Mass. Pray for help, for strength, and for courage. Pray for the Church. Find and use the prayers of old before they are lost, those that remind us of the heroic saints, the noble women and men of brave convictions, before we forget that such a being ever existed.

Teach the children.

Let the little ones come unto you. Teach the youngest among you about the faith. If you have not already done so, form a children’s choir. They will learn so much from you. They are our hope and our future.

On the ground in our parishes and in our choirs is where the truth lies. Let us not retreat. In our choirs we teach, pray, guard and defend, build relationships and create the light. We can save the Church, one choir at a time.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“The Translator has not followed any existing version exactly in the rendering of the Holy Scripture. The version, or rather series of versions—for there are many different recensions of the text,—generally called the Doway Bible, does not much commend itself to the English ear, and is indeed, especially in the earlier recensions, difficult to understand for any one who does not know Latin, and indeed other languages also…”

— John Crichton-Stuart (27 June 1879)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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