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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Missal for the Laity” (1846)

Jeff Ostrowski · September 20, 2017

WO THINGS happen at Mass: (1) Jesus Christ is made present on the Altar; (2) Jesus Christ is offered to His Heavenly Father. If we were to ask the average Catholic for a basic definition of the Mass, how many could provide one? I don’t need to answer that question, because our readers know how dreadfully low the percentage would be. Yet, we still find authors posting lengthy statements about the “massive effect” Magnum Principium will have. In my view, we would obtain a massive effect if we taught every Catholic the basics about the Holy Mass.

Here’s an 1846 ORDO MISSAE published for the laity:

* *  PDF Download • “Ordinary of the Mass” (1846)

The entire book is phenomenal, and Google has placed several (complete) versions online:

* *  VERSION 1   (download to your Hard Drive to see images) • 821 pages

* *  VERSION 2   (download to your Hard Drive to see images) • 886 pages

This was published 90 years before most homes in America had electricity!

Viewing a book like this, we’re reminded how seriously Catholics once took the sacred liturgy. Those of us who love liturgical history can’t help but admire the careful illustrations:

The Vatican II bishops had good intentions, I’m sure. But after the Council, our liturgy was greatly impoverished, in direct contradiction to the what the Vatican II documents actually said. How many Catholics, for example, will hear the official Entrance Chant for the Pentecost, which even today is supposed to be identical to what is found in the 1846 Missal?

4405 Missal for the Catholic LAITY

Most parishes delete the official prayer—even though it’s incredibly ancient—and replace it with a song of their choosing. If you don’t believe me when I say the 1974 Graduale texts are ancient, pick up a copy of the Jogues Illuminated Missal (which has full approval from the USCCB as well as the local bishop).

Have you noticed the liturgical progressives are never happy? All we’ve heard for fifty years is grumbling and bellyaching. Those who love the traditional liturgical practices, on the other hand, cannot say enough. They love to share the music and prayers and books containing these treasures. They are filled with joy. And it’s the same with authentic Catholic music. There’s nothing to be ashamed of when it comes to Guerrero, Palestrina, and plainsong. Such things—being pure, holy, and beyond reproach—constitute the “worm that dieth not” for liturgical progressives.

I’ll never forget reading a 2009 article wherein a leading progressive liturgist (Fr. Robert Taft) was asked “What is the biggest liturgical abuse out there?” He didn’t talk about disrespect for the SANCTISSIMUM. He didn’t mention irreverent, goofy music. Instead, he cited priests distributing the Blessed Sacrament from the Tabernacle. Many popes have said it is more fitting (from a liturgical point of view) to distribute “hosts consecrated at the same liturgy”—and that’s just fine, as far as I’m concerned. 1 But at the end of the day, when we receive the SANCTISSIMUM, we receive Jesus Christ: Body, Blood, Soul, and Divinity. This is a reality, irrespective of when Consecration took place. To imply that Jesus Christ—our Infinite God—is somehow deficient (in any way whatsoever) is utterly wrong. It’s actually satanic to say that “God is not enough for me.”

Rev. Taft has a right to claim “the biggest liturgical abuse” is Catholics receiving from the Tabernacle. But I also have a right to say: “No, that’s not the biggest abuse.”

Here are a few more images from that marvelous 1846 Missal:

4404 Prose 4407 Crucif 4408 Medieval Mass

 

 


NOTES FROM THIS ARTICLE:

1   Some will fail to carefully read my words, and erroneously claim that I oppose this church rule: “As a general rule, Holy Communion is given from hosts consecrated at the same Mass and not from those reserved in the tabernacle.” I have made it clear I do not oppose that rule.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Medieval Manuscripts Last Updated: September 7, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

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