Views from the Choir Loft

Antiphon Journal Expands Its Archives

Fr. David Friel · May 21, 2017

NE OF THE journals I most enjoy reading is Antiphon: A Journal for Liturgical Renewal. Published by the Society for Catholic Liturgy and presently edited by Fr. Uwe Michael Lang, C.O., the contents of the journal always stimulate new thoughts and perspectives on liturgical matters.

Until recently, the journal archives of Antiphon have been available through the journal website. Articles would only appear from volumes more than three years old.

Now, the more recent editions of the journal, up to the current issue, have been made available through Project MUSE. The mission of Project MUSE is to disseminate broadly scholarly content in the field of social science and the humanities. This new page makes it possible to preview Antiphon Volumes 19 through 21, which represent the years 2015-2017. The page makes available HTML and PDF versions of each individual article, editorial, and review—truly a wealth of quality resources.

Click here to see a few of my thoughts on Fr. Lang’s most recent book, Signs of the Holy One: Liturgy, Ritual, and Expression of the Sacred (2015), including a discussion of whether or not liturgies ought to be televised.

If you enjoy scholarly discussion on liturgical themes, I would invite you to consider subscribing to Antiphon or even becoming a member of the Society for Catholic Liturgy. Among the many instruments of liturgical reform operating in the Church today, SCL is one of the finest.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

2-Voice Arrangement for Lent

Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!

—Jeff Ostrowski

“Sanctus VIII” • Organ Accompaniment

A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.

—Jeff Ostrowski

Music List • (5th Sund. Ordinary Time)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.

—Jeff Ostrowski

“Reminder” — Month of Febr. (2026)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)