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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Do not let anyone make you feel discouraged.”

Richard J. Clark · June 24, 2017

OMETIMES IT IS not the words themselves, but the source that matters. Usually, words are cheap. Actions speak loudest. But sometimes, I hear words that move me to move my heart.

Recently, such words came from my mother. Simple. True. Words from a lifetime of living in faith. Words that bore the weight of authority:

“Do not let anyone make you feel discouraged.”

Working in a professional capacity for the Church, it is sometimes just as easy to become discouraged as it is to feel uplifted. Apparently, I’ve discovered that the Church is filled with people just like me: Flawed. Imperfect. Human. (Made in God’s image? Really?) That’s debatable from my all too human eyes. By the way, I’ve got huge planks in both of them.

My mother’s advice echo verse one of the African American Spiritual, There is a Balm in Gilead: “Sometimes I feel discouraged And think my work’s in vain, But then the Holy Spirit Revives my Soul again.”

Clearly my mother received the Gift of Wisdom from the Holy Spirit and tried passing it on to me. Maybe a tiny bit got through.

UT HERE’S WISDOM: Gratitude. When I feel discouraged about making a living for my family in this profession—and doing so with a modicum of ever-elusive peace, another thing happens.

It seems I can suddenly rattle off a list a ridiculously amazing blessings in my life:

All your children are healthy? Hmmm. Yeah. God is watching over you. In fact, He made all that possible.

You have friends who might drive you crazy, but stick by you year after year even when you screw up? Um. Yeah.

You had trouble paying bills, but your wife and kids love you? Unconditionally? OK. Stop.

Wait…you got to make music in praise of God with some seriously amazing musicians? You got to do this and this with these beautiful people?

This is not to discount the struggles. There are real problems in the Church and real problems in society that must be addressed. But do not discount that God knows every hair on your head, and knows how to take care of you better than you do. (I’m proof of this.)

And here’s the final lesson: Trust in God alone. While sometimes the Church is on fire (sometimes with the Holy Spirit and sometimes not), God is the only one to trust. I.e., Psalm 23: “The Lord is my shepherd. I shall want for nothing.”

Soli Deo gloria

P.S. Thanks, Mom.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

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  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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